THE TIHAI FOR VOCALISTS

by David Courtney working tools


The tihai is a rhyt­hmic device which uses a passage repeated three times.  In most cases the last note of the tihai corresponds to the sam (first beat of the cycle).  Although ending on the sam is com­mon, tihais may begin anywhere.

The tihai does not have to end on sam.  Ending on the sam is the most com­mon but some­times a vocalist uses it to end on the start of the sthai or antara.  This flows very nicely back into the theme and allows the musician to reestablish it before moving into an­other passage.



Each phrase of the tihai is called a palla.  Although three is the normal num­ber some­times each palla is it­self a tihai.  In which case there will ac­tually be nine pallas; this form is called a chakradar tihai.

A tihai is some­times very small, just a few notes.  This form is often used as an ending for a sec­tion.  For insta­nce if one is sing­ing a very long tan, then it is com­mon to take a small phrase and repeat it thrice to come to a resolution.

A tihai is regularly used to end the en­tire piece.  For such endings it is us­ually the sthai which is modified so that when played thrice it will end on the sam.

Tihais are not just for vocalists.  There are also tabla tihais and instrumental tihais.

 

© 1998 - 2020 David and Chandrakantha Courtney

For comments, cor­rections, and sug­gestions, kindly contact David Courtney at [email protected]