PAKAD OR SWARUP

by David Courtney working tools

The pakad or swarup, is a defining phrase or a cha­rac­teristic pattern for a rag.  This is often a par­ti­cu­lar way in which a rag moves; for insta­nce the "Pa M'a Ga Ma Ga" is a tell-tale sign for Rag Bihag, or "Ni Re Ga M'a" is a telltale sign for Yaman.  Often the pakad is a natu­ral consequence of the notes of arohana / avarohana (ascending and descending struc­tures).  How­ever, some­times the pakad is unique and not implied by the notes of the arohana /avarohana.  It is customary to enfold the pakad into the arohana / avarohana to make the ascending and descending struc­tures more descriptive.


Sometimes the pakad involves a par­ti­cu­lar ornamentation.  A good example is the peculiar andolan (slow shake) that is found in Rag Darbari Kannada.  This par­ti­cu­lar andolan slowly oscillates around a komal Ga which is so low that it is al­most a shuddha Re.

Not every rag has a clear pakad.  For insta­nce some peculiar rags may be de­fined sim­ply by their modal char­acter­is­tics.  This seems to be a growing trend, es­pec­ially for new rags which are coming into Hindustani sangeet from other sour­ces.

 

Other Aspects of Rag

 


 

© 1998 - 2020 David and Chandrakantha Courtney

For comments, cor­rections, and sug­gestions, kindly contact David Courtney at [email protected]