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AVARTAN - THE CYCLE IN INDIAN MUSIC

by David Courtney working tools

 

 

The avartan is the cycle in North In­dian Music.  It is com­posed of measures (vibhag) which are in turn com­posed of beats (matra).

The avartan is in some ways com­parable to the Western cycle (e.g. a 16 bar blues pattern) with but a few dif­ferences.  One of the biggest dif­ferences is that in Western music the measure is con­si­dered inviolate, while in North In­dian music the cycle is con­si­dered inviolate.  That is to say that a Western musician would think nothing of establishing a 16 bar pattern, break the pattern for some ar­tis­tic rea­son and then reestablish it; how­ever the measures would all be the same.  Con­versely, In­dian music­ians typically will mix the measures.  For insta­nce jhaptal is four measures of two-beats, three-beats, two-beats, three-beats respectively, how­ever the overall 10 beat pattern may not be al­tered.

Avartans may be of any num­ber of beats.  The most com­mon num­bers are 16, 14, 12, 10, 8, 7, and 6.  Most of the music played in Nort­hern India today is in one of these num­bers.

 


 

© 1998 - 2020 David and Chandrakantha Courtney

For comments, cor­rections, and sug­gestions, kindly contact David Courtney at [email protected]