What’s New, Married Women Are Always Competing with Us from the series Au Bordel

Emile Bernard (1868 - 1941), 1888

brush and ink and watercolour on paper, 40.5 cm x 28.7 cm

Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Object number
d0626V1962
Dimensions
40.5 cm x 28.7 cm
Provenance
Sent by the artist from Pont-Aven to Vincent van Gogh, Arles; received by him 4 or 5 October 1888; sent by Vincent van Gogh to his brother, Theo van Gogh, Paris, 4 or 5 October 1888; after his death on 25 January 1891, inherited by his widow, Jo van Gogh-Bonger, and their son, Vincent Willem van Gogh, Paris; administered until her death on 2 September 1925 by Jo van Gogh-Bonger, Bussum/Amsterdam/Laren; transferred by Vincent Willem van Gogh, Laren to the Vincent van Gogh foundation, Amsterdam, 10 July 1962; agreement concluded between the Vincent van Gogh Foundation and the State of the Netherlands, in which the preservation and management of the collection, and its placing in the Rijksmuseum Vincent van Gogh, to be realized in Amsterdam, is entrusted to the State, 21 July 1962; on permanent loan to the Rijksmuseum Vincent van Gogh from the opening of the museum on 2 June 1973, and at the Van Gogh Museum, Amsterdam, since 1 July 1994.
artist
Emile Bernard
Credits (obliged to state)
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Chicago, Art Institute of Chicago, Toulouse-Lautrec and Montmartre, 16 July-10 October 2005, no. 237

Washington, National Gallery of Art, Toulouse-Lautrec and Montmartre, 20 March-12 June 2005, no. 237

New Brunswick, The Jane Voorhees Zimmerli Art Museum, Emile Bernard (1868-1941). The Theme of Bordellos and Prostitutes in Turn-of-the-Century French Art, 3 April-31 May 1988, no. 14

Paris, Institut Néerlandais, Les amis de Van Gogh, 9 November-17 December 1960, no. 17

Otterlo, Kröller-Müller Museum, Collectie Theo van Gogh, April-May 1960, no. 12

Amsterdam, Stedelijk Museum Amsterdam, Collectie Theo van Gogh, February 1960, no. 12

Leeuw, Ronald de, Van Gogh Museum : schilderijen en pastels, 1993, pp. 116-117

Thomson, Richard, Cate, Phillip Dennis, Chapin, Mary Weaver, Toulouse-Lautrec and Montmartre, 2005, pp. 206, 214

Uitert, Evert van, Hoyle, Michael, Crimpen, Han van, The Rijksmuseum Vincent van Gogh, 1987, p. 373

Vollard, Ambroise, Bernard, Emile, Lettres de Vincent van Gogh à Emile Bernard, 1911, p. 131

Hammacher, A.M., Exposition les amis de van Gogh : catalogue, 1960, p. 23

Roskill, Mark W., Van Gogh, Gauguin and French painting of the 1880s : a catalogue raisonné of key works, 1970, p. 226

Welsh-Ovcharov, Bogomila, Emile Bernard (1868-1941) : the theme of bordellos and prostitutes in turn-of-the-century French art, 1988, pp. 3, 6, 16, 18, 38

Stevens, Mary Anne, Emile Bernard 1868-1941. A Pioneer of Modern Art. Ein Wegbereiter der Moderne., 1990, pp. 242-244

Leeuw, Ronald de, The Van Gogh Museum : paintings and pastels, 1994, pp. 116-117

Jansen, Leo, Luijten, Hans, Bakker, Nienke, Vincent van Gogh : painted with words : the letters to Émile Bernard, 2007, p. 366

Jansen, Leo, Luijten, Hans, Bakker, Nienke, Vincent van Gogh - The Letters : The complete illustrated and annotated edition : Volume 4 : Arles, 1888-1889, 2009, pp. 308-309, 313

Hansen, Dorothee, Buschhoff, A., Hans, Henrike, Emile Bernard : Am Puls der Moderne, 2015, pp. 15, 116-118

Thomson, Richard, Houbre, Gabrielle, Bakker, Nienke, Splendeurs & misères : images of prostitution in France, 1850-1910, 2015, pp. 127-128

Thomson, Richard, Bakker, Nienke, Pludermacher, Isolde, Easy virtue : prostitution in French art 1850-1910, 2016, pp. 106, 109

Bailey, Martin, Studio of the south : Van Gogh in Provence, 2016, pp. 125-126

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