Paris

Emile Bernard (1868 - 1941), 1888

reed pen and brush and ink on paper, 31.1 cm x 20 cm

Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Object number
d0638V1962
Dimensions
31.1 cm x 20 cm
Provenance
Sent by the artist from Saint-Briac to Vincent van Gogh, Arles; received by him between 25 April and 1 May 1888; sent by Vincent van Gogh to his brother, Theo van Gogh, Paris, probably 1 May 1888; after his death on 25 January 1891, inherited by his widow, Jo van Gogh-Bonger, and their son, Vincent Willem van Gogh, Paris; administered until her death on 2 September 1925 by Jo van Gogh-Bonger, Bussum/Amsterdam/Laren; transferred by Vincent Willem van Gogh, Laren to the Vincent van Gogh foundation, Amsterdam, 10 July 1962; agreement concluded between the Vincent van Gogh Foundation and the State of the Netherlands, in which the preservation and management of the collection, and its placing in the Rijksmuseum Vincent van Gogh, to be realized in Amsterdam, is entrusted to the State, 21 July 1962; on permanent loan to the Rijksmuseum Vincent van Gogh from the opening of the museum on 2 June 1973, and at the Van Gogh Museum, Amsterdam, since 1 July 1994.
artist
Emile Bernard
Credits (obliged to state)
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Paris, Musée de l'Orangerie, Emile Bernard (1868 - 1941), la peinture en colère, 16 September 2014-5 January 2015, no. 77

Pittsburgh (Pennsylvania), Carnegie Museum of Art, Light! The Industrial Age, 1750-1900: Art & Science, Technology & Society, 1750-1900, 7 April-29 July 2001

Amsterdam, Van Gogh Museum, Licht! Het industriële tijdperk 1750-1900. Kunst en wetenschap, technologie & samenleving, 20 October 2000-11 February 2001

Tokyo, Setagaya Art Museum, Vincent van Gogh and Japan, 4 April-24 May 1992, no. 46

Kyoto, National Museum of Modern Art (Kyoto), Vincent van Gogh and Japan, 18 February-29 March 1992, no. 46

New Brunswick, The Jane Voorhees Zimmerli Art Museum, Emile Bernard (1868-1941). The Theme of Bordellos and Prostitutes in Turn-of-the-Century French Art, 3 April-31 May 1988, no. 5

Paris, Institut Néerlandais, Les amis de Van Gogh, 9 November-17 December 1960

Uitert, Evert van, Hoyle, Michael, Crimpen, Han van, The Rijksmuseum Vincent van Gogh, 1987, p. 370

Welsh-Ovcharov, Bogomila, Vincent van Gogh and the birth of Cloisonism, 1981, pp. 264-265, 293

Stevens, Mary Anne, Emile Bernard 1868-1941. A Pioneer of Modern Art. Ein Wegbereiter der Moderne., 1990, p. 267

Kodera, Tsukasa, Leeuw, Ronald de, Vincent van Gogh and Japan, 1992, pp. 150-151, 184

Leeman, Fred, Recchi-Altariba, Béatrice, Champié, A., Argyropoulos-Recchi, Lucrezia, Cordier, Céline, Emile Bernard (1868-1941), 2013, pp. 114, 118

Hansen, Dorothee, Leeman, Fred, Rapetti, Rodolphe, Émile Bernard 1868-1941, 2014, pp. 196-197

Vollard, Ambroise, Bernard, Emile, Lettres de Vincent van Gogh à Emile Bernard, 1911, p. 86

Welsh-Ovcharov, Bogomila, Emile Bernard (1868-1941) : the theme of bordellos and prostitutes in turn-of-the-century French art, 1988, pp. 13, 15, 29

Jansen, Leo, Luijten, Hans, Bakker, Nienke, Vincent van Gogh : painted with words : the letters to Émile Bernard, 2007, p. 366

Jansen, Leo, Luijten, Hans, Bakker, Nienke, Vincent van Gogh - The Letters : The complete illustrated and annotated edition : Volume 4 : Arles, 1888-1889, 2009, pp. 73-74, 91

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