Jan Havicksz. Steen, 1655, painting, SK-A-4981
Legs spread, hand on hip, Croeser sits comfortably on the stoop of his house on Oude Delft in Delft. His 13-year-old daughter Catharina is looking directly at us. Jan Steen added a narrative element to the portrait: paupers asking the wealthy grain merchant for alms. Two years later, in 1657,…
Caesar Boëtius van Everdingen, c. 1645 - c. 1650, painting, SK-A-5005
This woman with her wide sunhat and seductive, bared shoulder is similar to the enticing shepherdesses that often appear in Dutch paintings. She proffers a small basket of fruit to the viewer in an unmistakably erotic gesture. The picture was originally intended to be displayed high on a wall, above…
On display in room 2.11
anonymous, c. 1820 - c. 1870, painting, NG-2010-41
Clothes make the man, so too in Indonesia. These are not actual portraits, but types. In addition to revealing the region these men come from, the meticulously painted clothes and batik motifs also provide information about their rank and status. These proud, confident figures are unusual: in…
On display in room 1.17
anonymous, c. 1820 - c. 1870, painting, NG-2010-37
Clothes make the man, so too in Indonesia. These are not actual portraits, but types. In addition to revealing the region these men come from, the meticulously painted clothes and batik motifs also provide information about their rank and status. These proud, confident figures are unusual: in…
On display in room 1.17
anonymous, c. 1820 - c. 1870, painting, NG-2010-38
Clothes make the man, so too in Indonesia. These are not actual portraits, but types. In addition to revealing the region these men come from, the meticulously painted clothes and batik motifs also provide information about their rank and status. These proud, confident figures are unusual: in…
On display in room 1.17
anonymous, c. 1820 - c. 1870, painting, NG-2010-39
Clothes make the man, so too in Indonesia. These are not actual portraits, but types. In addition to revealing the region these men come from, the meticulously painted clothes and batik motifs also provide information about their rank and status. These proud, confident figures are unusual: in…
On display in room 1.17
anonymous, c. 1820 - c. 1870, painting, NG-2010-40
Clothes make the man, so too in Indonesia. These are not actual portraits, but types. In addition to revealing the region these men come from, the meticulously painted clothes and batik motifs also provide information about their rank and status. These proud, confident figures are unusual: in…
On display in room 1.17
Karel Appel, 1951, painting, SK-A-5002
The square man squeezes with difficulty into this square canvas. He seems to squint slightly with his red and green eyes and his blue mouth gapes open. The head is too big, the body is too small, and the arms and legs are too short, yet with his fiercely coloured body and his ponderous genitals, he…
On display in room 3.3
Gerrit Berckheyde, 1671 - 1672, painting, SK-A-5003
Here we see the canal as it was, shortly before 1672. The crisis that would mark that year had yet to break, and construction is proceeding apace. One house in the background is wrapped in scaffolding; at the start of Spiegelstraat workers are laying paving stones, while building materials lie round…
On display in room 2.27
Jacques de Gheyn (II), 1603, painting, SK-A-4255
