{"id":406,"date":"2021-05-10T23:18:33","date_gmt":"2021-05-10T23:18:33","guid":{"rendered":"https:\/\/chandrakantha.com\/?page_id=406"},"modified":"2021-06-28T17:01:55","modified_gmt":"2021-06-28T17:01:55","slug":"indian-instruments","status":"publish","type":"page","link":"https:\/\/chandrakantha.com\/music-and-dance\/instrumental-music\/indian-instruments\/","title":{"rendered":"Musical Instruments of India"},"content":{"rendered":"\n

by David Courtney<\/a> \"\"<\/p>\n\n\n\n

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There are many mus\u00adical in\u00adstru\u00adments in India.  Some in\u00adstru\u00adments are used primarily in north In\u00addian music (Hindustani sangeet), some are used in the south In\u00addian music (Carnatic sangeet), while others are found in folk music.  Instrumental music is us\u00adually si\u00admi\u00adlar to vocal music but some\u00adtimes there are distinctive instrumental styles.<\/p>\n\n\n\n

There is a trad\u00aditional sys\u00adtem for the classification of in\u00adstru\u00adments.  This sys\u00adtem is based upon; non-membranous percussion (ghan<\/em>), membranous percussion (avanaddh<\/em>), wind blown (sushir<\/em>), plucked string (tat<\/em>), bowed string (vitat<\/em>).  In addition to these trad\u00aditional five classes we have been forced to create a sixth class to accommodate purely electronic in\u00adstru\u00adments.<\/p>\n\n\n\n

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Non-Membranous Percussive (Ghan)<\/h2>\n\n\n\n

This is one of the oldest classes of in\u00adstru\u00adments in India.  This class is based upon percussive in\u00adstru\u00adments which do not have membranes, speci\u00adfically those which have solid resonators.  These may be either melodic in\u00adstru\u00adments or in\u00adstru\u00adments to keep tal<\/em>.<\/p>\n\n\n\n

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Andelu<\/a> \u2013 Small brass pellet bells from southern India<\/figcaption><\/figure>\n\n\n\n

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Chimpta<\/a> \u2013 A metallic clapper from Punjab<\/figcaption><\/figure>\n\n\n\n

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Ghatam<\/a> \u2013 A musical earthen-ware pot<\/figcaption><\/figure>\n\n\n\n

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Ghungharu<\/a> \u2013 Brass pellet bells<\/figcaption><\/figure>\n\n\n\n

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Gogona<\/a> \u2013 A jaw-harp of Assam (plucked idiophone)<\/figcaption><\/figure>\n\n\n\n

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Gol Kathi<\/a> \u2013 A dancing stick<\/figcaption><\/figure>\n\n\n\n

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Jal Tarang<\/a> \u2013 Musical bowls<\/figcaption><\/figure>\n\n\n\n

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Kartal<\/a> \u2013 Wooden clappers<\/figcaption><\/figure>\n\n\n\n

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Kasht Tarang<\/a> \u2013 A wooden xylophone<\/figcaption><\/figure>\n\n\n\n

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Manjira<\/a> \u2013 Small brass cymbals<\/figcaption><\/figure>\n\n\n\n

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Murchang<\/a> \u2013 A metallic jaw harp of South India (plucked idiophone)<\/figcaption><\/figure>\n\n\n\n

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Nout<\/a> \u2013 A musical pot of Kashmir<\/figcaption><\/figure>\n\n\n\n

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Blown Air (Sushir)<\/h2>\n\n\n\n

This class of instrument is cha\u00adrac\u00adterised by the use of air to excite the var\u00adious resonators.<\/p>\n\n\n\n

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Algoza<\/a> \u2013 A pair of fipple flutes of North India and Pakistan<\/figcaption><\/figure>\n\n\n\n

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Bansuri<\/a> \u2013 A bamboo\/ reed flute
1)
Overview<\/a> 2) Parts<\/a> 3) Technique<\/a><\/figcaption><\/figure>\n\n\n\n

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Bombashi<\/a> \u2013 A fipple flute of Bangladesh<\/figcaption><\/figure>\n\n\n\n

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Harmonium<\/a> \u2013 A reed organ<\/figcaption><\/figure>\n\n\n\n

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Mukhavina<\/a> \u2013 A small version of the Nadaswaram<\/figcaption><\/figure>\n\n\n\n

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Nadaswaram<\/a> \u2013 A large double-reed oboe of Southern India<\/figcaption><\/figure>\n\n\n\n

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Ottu<\/a> \u2013 A drone instrument of South India<\/figcaption><\/figure>\n\n\n\n

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Pepa<\/a> \u2013 A hornpipe of Assam<\/figcaption><\/figure>\n\n\n\n

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Pungi<\/a> \u2013 A snake charmers instrument<\/figcaption><\/figure>\n\n\n\n

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Shankh<\/a> \u2013 A musical conch<\/figcaption><\/figure>\n\n\n\n

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Shehnai<\/a> \u2013 A double reed oboe of North India<\/figcaption><\/figure>\n\n\n\n

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Surpeti <\/a>\u2013 A drone instrument<\/figcaption><\/figure>\n\n\n\n

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Tarpa<\/a> \u2013 A large tribal hornpipe<\/figcaption><\/figure>\n\n\n\n

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Plucked Stringed Instruments (Tat)<\/h2>\n\n\n\n

This class of in\u00adstru\u00adments is cha\u00adrac\u00adterised by plucked strings.  In ancient times vir\u00adtually all in\u00adstru\u00adments of this class were re\u00adfer\u00adred to as vina<\/em>.<\/p>\n\n\n\n

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Bulbul Tarang<\/a> (a.k.a. Banjo) \u2013 A keyed box zither<\/figcaption><\/figure>\n\n\n\n

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Dotar #1<\/a> \u2013 A two stringed stick zither<\/figcaption><\/figure>\n\n\n\n

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Dotar #2 (Dotora)<\/a> – A four stringed lute pf Bengal<\/figcaption><\/figure>\n\n\n\n

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Dramyen<\/a> \u2013 A sub-Himalayan folk lute<\/figcaption><\/figure>\n\n\n\n

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Ektar<\/a> \u2013 A one stringed folk stick zither<\/figcaption><\/figure>\n\n\n\n

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Getchu Vadyam (Gettuvadyam)<\/a>\u2013 A hammered lute of South India<\/figcaption><\/figure>\n\n\n\n

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Gopichand (ektar)<\/a> \u2013 A one-stringed folk instrument of Bengal
1)
Overview<\/a> 2) Making<\/a><\/figcaption><\/figure>\n\n\n\n

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Gotuvadyam<\/a> \u2013 A fretless version of the South Indian vina<\/figcaption><\/figure>\n\n\n\n

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Katho (Khomok)<\/a> \u2013 A one stringed instrument<\/figcaption><\/figure>\n\n\n\n

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Magadi Vina<\/a> \u2013 a simple stick zither<\/figcaption><\/figure>\n\n\n\n

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Nakula Vina<\/a> \u2013 A simple stick zither<\/figcaption><\/figure>\n\n\n\n

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Rabab (Kabuli Rabab)<\/a> \u2013 A rabab of North-West India and Pakistan<\/figcaption><\/figure>\n\n\n\n

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Rudra Vina<\/a> \u2013 A large stick zither<\/figcaption><\/figure>\n\n\n\n

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Santur<\/a> \u2013 A hammered dulcimer<\/figcaption><\/figure>\n\n\n\n

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Saraswati Vina<\/a> \u2013 The South Indian large lute
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Overview<\/a> 2) Tuning<\/a> 3) Fingering<\/a><\/figcaption><\/figure>\n\n\n\n

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Sarod<\/a> \u2013 A north Indian bass rabab<\/figcaption><\/figure>\n\n\n\n

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Seni Rebab<\/a> \u2013 An old version of the sarod<\/figcaption><\/figure>\n\n\n\n

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Sitar<\/a> \u2013 A north Indian lute,
1)
Overview<\/a> 2) Parts<\/a>, 3) Origin<\/a> 4) Making<\/a> 5) Tuning<\/a> 6) Radio special<\/a><\/figcaption><\/figure>\n\n\n\n

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Surbahar<\/a> \u2013 A bass sitar<\/figcaption><\/figure>\n\n\n\n

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Surmandal<\/a> \u2013 A box zither (harp)<\/figcaption><\/figure>\n\n\n\n

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Sursringar<\/a> \u2013 An ancient North Indian lute<\/figcaption><\/figure>\n\n\n\n

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Swarabat <\/a>\u2013 A South Indian sarod<\/figcaption><\/figure>\n\n\n\n

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Tanpura<\/a> \u2013 A drone instrument<\/figcaption><\/figure>\n\n\n\n

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Tuntuna (Chohokhode)<\/a> \u2013 A one stringed folk instrument<\/figcaption><\/figure>\n\n\n\n

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Vichitra Vina<\/a> \u2013 A large stick zither<\/figcaption><\/figure>\n\n\n\n

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Yazh (Yaal)<\/a> \u2013 A South Indian harp<\/figcaption><\/figure>\n\n\n\n

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Bowed-Stringed Instruments (Vitat)<\/h2>\n\n\n\n

This is a class of stringed in\u00adstru\u00adments which are bowed.  This class ap\u00adpears to be quite old, yet these in\u00adstru\u00adments did not occupy a place in classical music un\u00adtil the last few centu\u00adries.  The en\u00adtire class of in\u00adstru\u00adments has a cer\u00adtain stigma at\u00adta\u00adched to it.  Even today only the Western violin is free of this stigma.<\/p>\n\n\n\n

Readers who are interested in the subject should also read the section “Rosin<\/a>“.<\/p>\n\n\n\n

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Banam<\/a> \u2013 A folk fiddle of North-East India and Bangladesh<\/figcaption><\/figure>\n\n\n\n

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Chikara<\/a> \u2013 A folk spike-fiddle<\/figcaption><\/figure>\n\n\n\n

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Dilruba<\/a> \u2013 A bowed lute of North-West India
1)
Overview<\/a> 2) Tuning<\/a> 3) Bridge Mod<\/a><\/figcaption><\/figure>\n\n\n\n

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Esraj<\/a> \u2013 A bowed lute of North-East India
1)
Overview<\/a> 2) Tuning<\/a><\/figcaption><\/figure>\n\n\n\n

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Kamakshi Vina<\/a> \u2013 A folk fiddle of Andhra Pradesh<\/figcaption><\/figure>\n\n\n\n

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Kamancha<\/a> \u2013 A bowed lute of Northern India<\/figcaption><\/figure>\n\n\n\n

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Kenda<\/a> \u2013 A folk fiddle of North East India<\/figcaption><\/figure>\n\n\n\n

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Mayuri Vina<\/a> (a.k.a. Taus) \u2013 A peacock shaped bowed lute of Northern India<\/figcaption><\/figure>\n\n\n\n

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Pena (a.k.a. Bana)<\/a> \u2013 A spike fiddle of Manipur<\/figcaption><\/figure>\n\n\n\n

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Ravanhasta<\/a> \u2013 A spike fiddle of Rajasthan<\/figcaption><\/figure>\n\n\n\n

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Sarangi<\/a> \u2013 A bowed box zither of Northern India
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Overview<\/a> 2) Parts<\/a> 3) Tuning<\/a> 4) Fingering<\/a><\/figcaption><\/figure>\n\n\n\n

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Sarangi (Nepali)<\/a> \u2013 A bowed fiddle of Nepal<\/figcaption><\/figure>\n\n\n\n

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Saringda<\/a> \u2013 A folk fiddle of Northern India<\/figcaption><\/figure>\n\n\n\n

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Tar Shehnai<\/a> \u2013 A bowed lute of Northern India<\/figcaption><\/figure>\n\n\n\n

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Violin<\/a> \u2013 Same as the Western Violin<\/figcaption><\/figure>\n\n\n\n

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Membranous Percussive (Avanaddh)<\/h2>\n\n\n\n

This is a class of in\u00adstru\u00adments which have struck membranes.  These typically comprise the drums.<\/p>\n\n\n\n

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Charchari<\/a> \u2013 A folk drum<\/figcaption><\/figure>\n\n\n\n

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Chenda<\/a> \u2013 A traditional drum of Kerala<\/figcaption><\/figure>\n\n\n\n

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Daf (Duf, Daphu, Daffali)<\/a> \u2013 A frame drum<\/figcaption><\/figure>\n\n\n\n

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Dakla<\/a> \u2013 A waisted drum<\/figcaption><\/figure>\n\n\n\n

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Damaru<\/a> \u2013 A small waisted drum<\/figcaption><\/figure>\n\n\n\n

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Dhad <\/a>\u2013 A small waisted drum<\/figcaption><\/figure>\n\n\n\n

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Dhak (Daklu)<\/a> \u2013 A drum of Bengal<\/figcaption><\/figure>\n\n\n\n

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Dhol<\/a> \u2013 A large barrel drum of Northern India<\/figcaption><\/figure>\n\n\n\n

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Dholak<\/a> \u2013 A smaller barrel drum of Northern India<\/figcaption><\/figure>\n\n\n\n

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Dholki (Nal)<\/a> – A small cylindrical drum of India<\/figcaption><\/figure>\n\n\n\n

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Diggi<\/a> \u2013 A small kettle drum<\/figcaption><\/figure>\n\n\n\n

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Goga Dhol<\/a> \u2013 A kettle drum<\/figcaption><\/figure>\n\n\n\n

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Gummeta (Dakki, Budike)<\/a> \u2013 A small goblet drum of South India<\/figcaption><\/figure>\n\n\n\n

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Idakka and Udaku (Udakai)<\/a> \u2013 A waisted drum<\/figcaption><\/figure>\n\n\n\n

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Jaspuria<\/a> \u2013 A two faced folk drum<\/figcaption><\/figure>\n\n\n\n

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Jhorka & Korka<\/a> \u2013 A folk drum<\/figcaption><\/figure>\n\n\n\n

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Kanjira<\/a> \u2013 A small frame drum of South India<\/figcaption><\/figure>\n\n\n\n

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Khol (Mridang)<\/a> \u2013 A folk drum of Bengal<\/figcaption><\/figure>\n\n\n\n

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Madar<\/a> \u2013 A folk drum of Central India<\/figcaption><\/figure>\n\n\n\n

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Maddal<\/a> \u2013 A folk drum of India<\/figcaption><\/figure>\n\n\n\n

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Mizhavu<\/a> \u2013 A pot drum<\/figcaption><\/figure>\n\n\n\n

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Mridangam<\/a> \u2013 A two faced drum of South India
1)
Overview<\/a> 2) Mridangam and Tabla<\/a><\/figcaption><\/figure>\n\n\n\n

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Nagada<\/a> \u2013 A pair of kettle drums<\/figcaption><\/figure>\n\n\n\n

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Nissan, Mawaloti, or Lohati<\/a> \u2013 Folk drum of Central India<\/figcaption><\/figure>\n\n\n\n

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Pakhawaj<\/a> \u2013 A two-faced drum of North India<\/figcaption><\/figure>\n\n\n\n

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Pancha-Mukha-Vadyam<\/a> \u2013 A five-faced pot drum<\/figcaption><\/figure>\n\n\n\n

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Phara<\/a> \u2013 A two faced drum of Kerala<\/figcaption><\/figure>\n\n\n\n

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Pung<\/a> \u2013 A folk drum of Manipur<\/figcaption><\/figure>\n\n\n\n

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Sambal<\/a> \u2013 A folk drum of Western India<\/figcaption><\/figure>\n\n\n\n

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Shuddha Madalam<\/a> \u2013 A two faced drum of Kerala<\/figcaption><\/figure>\n\n\n\n

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Tabla<\/a> \u2013 A pair of Indian hand drums
1)
Overview<\/a> 2) Making<\/a> 3) Quick Reference Chart <\/a>4) Basic Strokes<\/a> 5) Glossary<\/a> 6) FAQs<\/a> 7) Primer for Older Student<\/a> 8) Tuning the Tabla<\/a> 9) Repair<\/a> 10) Psychoacoustics of Pitch<\/a> 11) Pudi<\/a> 12) New Approaches to Instruction<\/a> 13) Mridangam and Tabla<\/a> 14) Tabla and the Guitar<\/a> 15) Gallery<\/a><\/figcaption><\/figure>\n\n\n\n

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Tabla Tarang<\/a> \u2013 A melodic instrument composed of various tablas<\/figcaption><\/figure>\n\n\n\n

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Tamak<\/a> \u2013 A folk drum<\/figcaption><\/figure>\n\n\n\n

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Tasha<\/a> \u2013 A folk kettle drum<\/figcaption><\/figure>\n\n\n\n

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Tavil<\/a> \u2013 A two faced drum of South India<\/figcaption><\/figure>\n\n\n\n

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Thanthi Panai<\/a> \u2013 A pot drum of South India<\/figcaption><\/figure>\n\n\n\n

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Timki<\/a> \u2013 A small vessel drum<\/figcaption><\/figure>\n\n\n\n

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Tumbak<\/a> \u2013 An Indian version of the doumbek<\/figcaption><\/figure>\n\n\n\n

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Urumili<\/a> \u2013 A folk drum<\/figcaption><\/figure>\n\n\n\n

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Electronic<\/h2>\n\n\n\n

This is a class of in\u00adstru\u00adments which are electronic in their operation.<\/p>\n\n\n\n

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Surpeti <\/a>\u2013 A drone instrument<\/figcaption><\/figure>\n\n\n\n

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Lahera Peti<\/a> \u2013 An electronic device which plays the lahera \/ naghma<\/figcaption><\/figure>\n\n\n\n

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Tabla Peti <\/a>\u2013 An electronic device which plays the theka<\/figcaption><\/figure>\n\n\n\n

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Mridangam Peti<\/a> \u2013 An electronic device that gives mridangam accompaniment<\/figcaption><\/figure>\n\n\n\n

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Other Sites of Interest<\/h2>\n\n\n\n