{"id":406,"date":"2021-05-10T23:18:33","date_gmt":"2021-05-10T23:18:33","guid":{"rendered":"https:\/\/chandrakantha.com\/?page_id=406"},"modified":"2021-06-28T17:01:55","modified_gmt":"2021-06-28T17:01:55","slug":"indian-instruments","status":"publish","type":"page","link":"https:\/\/chandrakantha.com\/music-and-dance\/instrumental-music\/indian-instruments\/","title":{"rendered":"Musical Instruments of India"},"content":{"rendered":"\n
by David Courtney<\/a> There are many mus\u00adical in\u00adstru\u00adments in India. Some in\u00adstru\u00adments are used primarily in north In\u00addian music (Hindustani sangeet), some are used in the south In\u00addian music (Carnatic sangeet), while others are found in folk music. Instrumental music is us\u00adually si\u00admi\u00adlar to vocal music but some\u00adtimes there are distinctive instrumental styles.<\/p>\n\n\n\n There is a trad\u00aditional sys\u00adtem for the classification of in\u00adstru\u00adments. This sys\u00adtem is based upon; non-membranous percussion (ghan<\/em>), membranous percussion (avanaddh<\/em>), wind blown (sushir<\/em>), plucked string (tat<\/em>), bowed string (vitat<\/em>). In addition to these trad\u00aditional five classes we have been forced to create a sixth class to accommodate purely electronic in\u00adstru\u00adments.<\/p>\n\n\n\n <\/p>\n\n\n\n This is one of the oldest classes of in\u00adstru\u00adments in India. This class is based upon percussive in\u00adstru\u00adments which do not have membranes, speci\u00adfically those which have solid resonators. These may be either melodic in\u00adstru\u00adments or in\u00adstru\u00adments to keep tal<\/em>.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n This class of instrument is cha\u00adrac\u00adterised by the use of air to excite the var\u00adious resonators.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n This class of in\u00adstru\u00adments is cha\u00adrac\u00adterised by plucked strings. In ancient times vir\u00adtually all in\u00adstru\u00adments of this class were re\u00adfer\u00adred to as vina<\/em>.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n<\/p>\n\n\n\n
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\n\n\n\nNon-Membranous Percussive (Ghan)<\/h2>\n\n\n\n
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\n\n\n\nBlown Air (Sushir)<\/h2>\n\n\n\n
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1) Overview<\/a> 2) Parts<\/a> 3) Technique<\/a><\/figcaption><\/figure>\n\n\n\n<\/a>
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\n\n\n\nPlucked Stringed Instruments (Tat)<\/h2>\n\n\n\n
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1) Overview<\/a> 2) Making<\/a><\/figcaption><\/figure>\n\n\n\n<\/a>
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1) Overview<\/a> 2) Tuning<\/a> 3) Fingering<\/a><\/figcaption><\/figure>\n\n\n\n<\/a>
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1) Overview<\/a> 2) Parts<\/a>, 3) Origin<\/a> 4) Making<\/a> 5) Tuning<\/a> 6) Radio special<\/a><\/figcaption><\/figure>\n\n\n\n<\/a>
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