{"id":2621,"date":"2021-05-31T23:27:46","date_gmt":"2021-05-31T23:27:46","guid":{"rendered":"https:\/\/chandrakantha.com\/?page_id=2621"},"modified":"2021-06-19T16:49:04","modified_gmt":"2021-06-19T16:49:04","slug":"w-australia","status":"publish","type":"page","link":"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/w-australia\/","title":{"rendered":"Western Australia"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1000\" height=\"156\" src=\"https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar.jpg\" alt=\"\" class=\"wp-image-3014\" srcset=\"https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar.jpg 1000w, https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar-300x47.jpg 300w, https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar-768x120.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h2>Teachers &amp; Performers of Indian Music &amp; Dance<\/h2>\n\n\n\n<script async=\"\" src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\n<!-- March20_4_2020 -->\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-0047309040523061\" data-ad-slot=\"9410001606\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n\n\n\n<p><strong>Name:<\/strong> Praashekh Borkar<br><strong>E-Mail:<\/strong> <a href=\"mailto:praashekh@gmail.com\">praashekh@gmail.com<\/a><br><strong>Field:<\/strong> Sarod, Sitar, Harmon\u00adium, Key\u00adboards, Guitar.<br><strong>Location:<\/strong> 58 Keslake way, Parkwood, Perth, Western Australia 6147<br><strong>Telephone:<\/strong> +61 (0)426789143<br><strong>Misc. Info:<\/strong> www.indianmusicperth.com Praashekh Borkar &#8211; Surmani, San\u00adgeet Alankaar, National Gold Medalist, music scholar\u00adship holder, sound engineer, Bolly\u00adwood musician, Inventor of the esarod. Teaching North Indian clas\u00adsical music (sarod, sitar, har\u00admonium, key\u00adboards &amp; guitar). Available for Indian music and fusion music perfor\u00admances (shows, weddings, private fun\u00adctions) . Available for Bolly\u00adwood dance choreo\u00adgraphy &amp; perfor\u00admances for all types of perfor\u00admances &amp; functions.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Branan Dubh<br><strong>E-Mail:<\/strong> <a href=\"mailto:brandubh@earthling.net\">brandubh@earthling.net<\/a><br><strong>Field:<\/strong> clas\u00adsical vocal<br><strong>Location:<\/strong> Fremantle, Perth, WA, Australia<br><strong>Telephone:<\/strong> 08 93355581 or 0411983549<br><strong>Misc. Info:<\/strong> I am a singer in the ancient dhrupad style, I studied intensively with the Gundecha brothers (www.dhrupad.org) in Bhopal, India, since 2002. My special interests are micro-tonal tuning (shruti) and improvisation and I like to see music as a sadhana. I teach small classes and individuals as well as per\u00adforming in clas\u00adsical and fusion contexts.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Yogesh Kakkad<br><strong>E-Mail:<\/strong> <a href=\"mailto:ypkakkad@gmail.com\">ypkakkad@gmail.com<\/a><br><strong>Field:<\/strong> Tabla<br><strong>Location:<\/strong> Perth, Western Australia<br><strong>Telephone:<\/strong> +61 41 2299 518<br><strong>Misc. Info:<\/strong> I com\u00adpleted Visharad (B. Performing Arts) in tabla and I took the train\u00ading from Pundit Nitai Chakra\u00adborty (disciple of Pundit Samtaprasad &amp; Pundit Kanai Dutt). I have been per\u00adforming for over 20 years with many great Indian, non-Indian artists (i.e. Gauri Pathare, Sania Patankar, Raj Kumar Sharma, Nathan Gaunt etc). I have many tabla stu\u00addents in Australia who have been learn\u00ading clas\u00adsical &amp; semi-clas\u00adsical with dif\u00adferent gharana (i.e. Delhi, Banaras, Punjab, Ajarada, etc.). If anyone is inter\u00adested learn\u00ading tabla or require me to accompany tabla for clas\u00adsical \/ semi-classical \/ Western style con\u00adcerts, please feel free to con\u00adtact me.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Acharya Dr. Sadanand Ganpati Mankar<br><strong>E-Mail:<\/strong> <a href=\"mailto:indianmusic@icmraa.com\">indianmusic@icmraa.com<\/a><br><strong>Field:<\/strong> Hindu\u00adstani Vocal, begin\u00adning Tabla<br><strong>Location:<\/strong> 2\/71 High Street Fremantle W.A. 6160 Australia.<br><strong>Telephone:<\/strong> 0011-61-0407561662<br><strong>Misc. Info:<\/strong> Indian Clas\u00adsical Music Research Academy Australia , I am teach\u00ading Hindu\u00adstani &#8211; North Indian clas\u00adsical ragas-vocal for BA\/MA and up to Ph.D. Or Visharad\/ Alankar\/ Parangat\/Sangitacharya level and basic tabla. I am Sangit Visharad\/ Bhushan\/ Parangat\/ Sangitacharya (vocal) also I am B.Sc. (Electronics) MCM-Management and Ph.D. (AM-Music Therapy). Teaching music and meditation more than 25 years. Initial cost for raga lesson $25 per hour in Australia. Free Sahaja Yoga meditation with Indian Raga every Friday 7 to 8.30 PM For infor\u00admation go to web\u00adsite: www.icmraa.com.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Sindhusmita Mishra<br><strong>E-Mail:<\/strong> <a href=\"mailto:gigli.gigli@gmail.com\">gigli.gigli@gmail.com<\/a><br><strong>Field:<\/strong> Odissi (Indian clas\u00adsical dance)<br><strong>Location:<\/strong> 103\/130, Mounts Bay road, Perth, West Australia &#8211; 6000<br><strong>Telephone:<\/strong> 0432381306<br><strong>Misc. Info:<\/strong> I was brought up in trad\u00aditional Indian music family,exposed to dance at an age as early as 5 yrs. Received&nbsp; train\u00ading in Indian Clas\u00adsical dance for&nbsp;around 15&nbsp;years. Completed San\u00adgeet bhaskar (Post graduate) and Visharad (Bachelor degree) in Odissi clas\u00adsical dance. Have per\u00adformed at many cultural fun\u00adctions in both clas\u00adsical and semi clas\u00adsical dance. Have also know\u00adledge of Indian folk dances like Sambalpuri, Bihu, Bhangda, Dandiya, etc. and also Bolly\u00adwood style dancing.&nbsp;I would be glad to participate\/ organise any clas\u00adsical\/ semi-clas\u00adsical programs. Also would be glad to impart my know\u00adledge of dance to any one who is inter\u00adested. Please feel free to con\u00adtact for any further infor\u00admation.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Lavanya Prabu<br><strong>E-Mail:<\/strong> <a href=\"mailto:lavanyaprabu@yahoo.com\">lavanyaprabu@yahoo.com<\/a><br><strong>Field:<\/strong> Indian clas\u00adsical dance &#8211; Bharathanatyam<br><strong>Location:<\/strong> Perth, WA<br><strong>Telephone:<\/strong> 63611499<br><strong>Misc. Info:<\/strong> Bharatham Dance Academy aims at achieving perfection in that art though small class groups and indi\u00advidual attention and adheres strictly to the purest form the art.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Vickneswaran Ramakrishnan<br><strong>E-Mail:<\/strong> <a href=\"mailto:vicky120@hotmail.com\">vicky120@hotmail.com<\/a><br><strong>Field:<\/strong> Tabla<br><strong>Location:<\/strong> Perth, Western Australia.<br><strong>Telephone:<\/strong> 0403 799 488<br><strong>Misc. Info:<\/strong> Tabla Visharad from Gandharva Mahavidyalay, Pune. Studied under the able guid\u00adance of Ustad Hanif Mohamed Mirajkar in Pune. Do con\u00adtact for tabla classes and also per\u00adforming (tabla solo &amp; accom\u00adpani\u00adment). Cur\u00adrently under the guid\u00adance of tabla Maestro Pandit Kumar Bose,<\/p>\n\n\n\n<p><strong>Name:<\/strong> Balvinder Singh<br><strong>E-Mail:<\/strong> <a href=\"mailto:singh.balvinder@gmail.com\">singh.balvinder@gmail.com<\/a><br><strong>Field:<\/strong> Sitar<br><strong>Location:<\/strong> Perth<br><strong>Telephone:<\/strong> 0410527545<br><strong>Misc. Info:<\/strong> Hi I teach sitar and Indian music theory, I learnt from Ustad Samuel Dass and also Ustad Sabri Khan in India. Awards: Winner WA Music Industry song of the year awards, ArtsWA fellowship winner, ARTS Council of Australia JUMP Mentee. Give me a buzz if you want to learn, or email!<\/p>\n\n\n\n<script async=\"\" src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\n<!-- March20_4_2020 -->\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-0047309040523061\" data-ad-slot=\"9410001606\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Other Sites of Interest<\/h2>\n\n\n\n<p><a href=\"https:\/\/yorkspace.library.yorku.ca\/xmlui\/handle\/10315\/29360\" target=\"_blank\">Implicit learning of Indian Music by Westerners<\/a><\/p>\n\n<p><a href=\"http:\/\/citeseerx.ist.psu.edu\/viewdoc\/summary?doi=10.1.1.516.8971\" target=\"_blank\">The Guru Recontextualised? - Teaching and Learning North Indian Classical Music in a Western Professional Training Environment<\/a><\/p>\n\n<p><a href=\"https:\/\/zenodo.org\/record\/884588#.WdQFe4pOlhE\" target=\"_blank\">Nowadays: The Role of Internet for Propagation and Proliferation of Music<\/a><\/p>\n\n<p><a href=\"https:\/\/www.jstor.org\/stable\/40318939?seq=1\" target=\"_blank\">Multicultural Music Instruction in the Elementary School: What Can Be Achieved?<\/a><\/p>\n\n<p><a href=\"https:\/\/www.jstor.org\/stable\/1124303?seq=1\" target=\"_blank\">Training in Indian Classical Dance: A Case Study<\/a><\/p>\n\n<p><a href=\"https:\/\/www.sciencedirect.com\/science\/article\/abs\/pii\/S003132031830030X\" target=\"_blank\">Rasabodha: Understanding Indian classical dance by recognizing emotions using deep learning<\/a><\/p>\n\n<p><a href=\"https:\/\/open.library.ubc.ca\/cIRcle\/collections\/ubctheses\/831\/items\/1.0088783\" target=\"_blank\">Embodying culture : gurus, disciples and tabla players<\/a><\/p>\n\n<p><a href=\"https:\/\/www.proquest.com\/openview\/aeb09763eb87a5a72ca503a08f036119\/1?pq-origsite=gscholar&cbl=47220\" target=\"_blank\">Distance Education in Indian Music : Feasibility and Prospects<\/a><\/p>\n\n<p><a href=\"https:\/\/spark.parkland.edu\/cgi\/viewcontent.cgi?article=1172&amp;context=ah\" target=\"_blank\">My Experience in Bharata Natyam (Indian Dance)<\/a><\/p>\n\n<p><a href=\"https:\/\/arxiv.org\/abs\/1903.10534\" target=\"_blank\">Learning Embodied Semantics via Music and Dance Semiotic Correlations<\/a><\/p>\n\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Add, Modify, or Delete Listing<\/h2>\n\n\n\n<p>If you are a sitar tea\u00adcher, a tabla tea\u00adcher, or an in\u00adstructor in any form of Indian dance or music, you can <a href=\"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/add-name\/\">add your name to database<\/a>.&nbsp; You can make modifications to existing listings by <a href=\"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/edit\/\">contacting the administrator<\/a>.<\/p>\n\n\n\n<p><strong>If you encounter a teacher who has died, is unreachable, or is no longer teaching, please <a href=\"mailto:david@chandrakantha.com\">contact the administrator<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teachers &amp; Performers of Indian Music &amp; Dance Name: Praashekh BorkarE-Mail: praashekh@gmail.comField: Sarod, Sitar, Harmon\u00adium, Key\u00adboards, Guitar.Location: 58 Keslake way, Parkwood, Perth, Western Australia 6147Telephone:&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/w-australia\/\">Continue reading<span class=\"screen-reader-text\">Western Australia<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":733,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/2621"}],"collection":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/comments?post=2621"}],"version-history":[{"count":5,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/2621\/revisions"}],"predecessor-version":[{"id":3785,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/2621\/revisions\/3785"}],"up":[{"embeddable":true,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/733"}],"wp:attachment":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/media?parent=2621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}