{"id":1299,"date":"2021-05-19T23:04:37","date_gmt":"2021-05-19T23:04:37","guid":{"rendered":"https:\/\/chandrakantha.com\/?page_id=1299"},"modified":"2021-06-11T20:40:20","modified_gmt":"2021-06-11T20:40:20","slug":"nepal","status":"publish","type":"page","link":"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/nepal\/","title":{"rendered":"Nepal"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1000\" height=\"156\" src=\"https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar.jpg\" alt=\"\" class=\"wp-image-3014\" srcset=\"https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar.jpg 1000w, https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar-300x47.jpg 300w, https:\/\/chandrakantha.com\/wp-content\/uploads\/2021\/06\/teach-perf-sitar-768x120.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h2>Teachers &amp; Performers of Indian Music &amp; Dance<\/h2>\n\n\n\n<script async=\"\" src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\n<!-- March20_4_2020 -->\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-0047309040523061\" data-ad-slot=\"9410001606\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n\n\n\n<p><strong>Name:<\/strong> Achyut Ram Bhandari<br><strong>E-Mail:<\/strong> <a href=\"mailto:achyut.r.bhandari@gmail.com\">achyut.r.bhandari@gmail.com<\/a><br><strong>Field:<\/strong> Tabla<br><strong>Location:<\/strong> Tribhuvan Univer\u00adsity, Fine Arts Campus, Bhotahity, Ktm, Nepal<br><strong>Telephone:<\/strong> 009771-4491666 (home) or 4249681 (Job)<br><strong>Misc. Info:<\/strong> Achyut Ram Bhandari is today apprec\u00adiated both in the field of per\u00adcus\u00adsion and in the music world at large as an inter\u00adnational phenomenon. Tabla virtuoso of the highest order, his consistently brilliant and exciting per\u00adformances have not only established him as a national treasure in his own country, Nepal, but gained him world\u00adwide fame. His play\u00ading is marked by uncanny intuition and masterful improvisational dexterity, founded in formidable know\u00adledge and study. The favorite accompanist for many of Eastern and Western greatest mus\u00adicians, he has not let his genius rest there. Widely con\u00adsidered a chief archi\u00adtect of the contem\u00adporary world music movement, Achyut&#8217;s contribution to the world music has been unique, with much col\u00adlabor\u00adation, includ\u00ading &#8220;A Glance Play On Tabla&#8221; for begin\u00adners to advan\u00adced players. Web\u00adsite &#8211; www.achyutrambhandari.com.np, facebook &#8211; tabala900@hotmail.com, skype &#8211; achyut.ram.bhandari<\/p>\n\n\n\n<p><strong>Name:<\/strong> Parashuram Bhandari<br><strong>E-Mail:<\/strong> <a href=\"mailto:bhandariparashuram@yahoo.com\">bhandariparashuram@yahoo.com<\/a><br><strong>Field:<\/strong> Sarangi &#8211; Indian and Nepali<br><strong>Location:<\/strong> Nepal<br><strong>Telephone:<\/strong> 808 557 8307 (cell)<br><strong>Misc. Info:<\/strong> Parashuram comes from the Kathmandu Valley of Nepal. He traveled to Varanasi, India, to study with the Late BacchaLal Misra, then train\u00ading under under Senior Musician Gopal Nath Yogi in Nepal. He received his Master&#8217;s Degree in Music from Prayag Sangit Samiti. He is the only musician in Nepal to play sarangi in the North Indian Clas\u00adsical Style, and he has written the only textbook on how to play the sarangi. Parashuram has more than 20 years of per\u00adformance experi\u00adence with both Indian clas\u00adsical music and Nepali folk tunes, touring twelve years with Om Shringara Nepal in Asia and the US. For more infor\u00admation on Parashuram, his CDs, or book, please see his web\u00adsite: www.parashurambhandari.com.<\/p>\n\n\n\n<p><strong>Name:<\/strong> Parsuram Prasad Poudel<br><strong>E-Mail:<\/strong> <a href=\"mailto:parsuram.poudel@gmail.com\">parsuram.poudel@gmail.com<\/a><br><strong>Field:<\/strong> Tabla<br><strong>Location:<\/strong> Kapan VDC-1, Kathmandu, Nepal.<br><strong>Telephone:<\/strong> 977-9841955399<br><strong>Misc. Info:<\/strong> web\u00adsite:http:\/\/http:\/\/parsuramtabla.blogspot.com. Parsuram Prasad Poudel learnt tabla under guru-shishya tradition at Nepal firstly under holy guid\u00adance from Late Atul Gautam, then Pt Homnath Upadhyaya. Later Poudel mastered in tabla from Banaras Hindu Uni\u00adversity in 2005 under the guid\u00adance of Pt. Chhote Lal Mishra. He got some guidances from Pt Harimohan Sharma form Delhi too.He has per\u00adformed in India and Nepal many times individually and with his band &#8220;Sampada&#8221;( The Heritage) Band. He is honored with Yuva Tabla player-2007, serving at Tribhuvan Uni\u00adversity of Nepal. He has been contributing clas\u00adsical music through many insti\u00adtutions too. https:\/\/www.facebook.com\/parsuramtablapoudel<\/p>\n\n\n\n<p><strong>Name:<\/strong> Mathura Shrestha<br><strong>E-Mail:<\/strong> <a href=\"mailto:mathurashresthanp@gmail.com\">mathurashresthanp@gmail.com<\/a><br><strong>Field:<\/strong> Instruments, music &amp; vocal<br><strong>Location:<\/strong> G.P.O :19239 Kathmandu, Nepal<br><strong>Telephone:<\/strong> 977-9841205578, 9813447739<br><strong>Misc. Info:<\/strong> I, Mathura Shrestha world record holder in creative music field have 20 years of experi\u00adence in instru\u00adments and Hindu\u00adstani vocal, music. I learned from professor Nararaj Dhakal, who was a great classical singer in Nepal and I also had guid\u00adance from Ganesh pariyar who was senior music arranger with experi\u00adence on western music. My teaching style is scientific. I have also created dash not\u00adation which is regis\u00adtered in Nepal government&#8217;s copyright office. I have created thousands of dif\u00adferent formulas for making sing\u00ading and play\u00ading harmonium, tabala, guitar, key\u00adboard easy. I teach beginner-intermediate-expert, all levels. so only serious per\u00adsons make inquiries. Web\u00adsite &#8211; www.mathura.com.np , www.mathura.webnode.com<\/p>\n\n\n\n<p><strong>Name:<\/strong> Hom Nath Upadhyaya<br><strong>E-Mail:<\/strong> <a href=\"mailto:prustaar@hotmail.com\">prustaar@hotmail.com<\/a><br><strong>Field:<\/strong> Tabla<br><strong>Location:<\/strong> Kathmandu, Nepal<br>Web\u00adsite: homnathtabla.com<\/p>\n\n\n\n<script async=\"\" src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js\"><\/script>\n<!-- March20_4_2020 -->\n<ins class=\"adsbygoogle\" style=\"display:block\" data-ad-client=\"ca-pub-0047309040523061\" data-ad-slot=\"9410001606\" data-ad-format=\"auto\" data-full-width-responsive=\"true\"><\/ins>\n<script>\n     (adsbygoogle = window.adsbygoogle || []).push({});\n<\/script>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Other Sites of Interest<\/h2>\n\n\n\n<p><a href=\"https:\/\/yorkspace.library.yorku.ca\/xmlui\/handle\/10315\/29360\" target=\"_blank\">Implicit learning of Indian Music by Westerners<\/a><\/p>\n\n<p><a href=\"http:\/\/citeseerx.ist.psu.edu\/viewdoc\/summary?doi=10.1.1.516.8971\" target=\"_blank\">The Guru Recontextualised? - Teaching and Learning North Indian Classical Music in a Western Professional Training Environment<\/a><\/p>\n\n<p><a href=\"https:\/\/zenodo.org\/record\/884588#.WdQFe4pOlhE\" target=\"_blank\">Nowadays: The Role of Internet for Propagation and Proliferation of Music<\/a><\/p>\n\n<p><a href=\"https:\/\/www.jstor.org\/stable\/40318939?seq=1\" target=\"_blank\">Multicultural Music Instruction in the Elementary School: What Can Be Achieved?<\/a><\/p>\n\n<p><a href=\"https:\/\/www.jstor.org\/stable\/1124303?seq=1\" target=\"_blank\">Training in Indian Classical Dance: A Case Study<\/a><\/p>\n\n<p><a href=\"https:\/\/www.sciencedirect.com\/science\/article\/abs\/pii\/S003132031830030X\" target=\"_blank\">Rasabodha: Understanding Indian classical dance by recognizing emotions using deep learning<\/a><\/p>\n\n<p><a href=\"https:\/\/open.library.ubc.ca\/cIRcle\/collections\/ubctheses\/831\/items\/1.0088783\" target=\"_blank\">Embodying culture : gurus, disciples and tabla players<\/a><\/p>\n\n<p><a href=\"https:\/\/www.proquest.com\/openview\/aeb09763eb87a5a72ca503a08f036119\/1?pq-origsite=gscholar&cbl=47220\" target=\"_blank\">Distance Education in Indian Music : Feasibility and Prospects<\/a><\/p>\n\n<p><a href=\"https:\/\/spark.parkland.edu\/cgi\/viewcontent.cgi?article=1172&amp;context=ah\" target=\"_blank\">My Experience in Bharata Natyam (Indian Dance)<\/a><\/p>\n\n<p><a href=\"https:\/\/arxiv.org\/abs\/1903.10534\" target=\"_blank\">Learning Embodied Semantics via Music and Dance Semiotic Correlations<\/a><\/p>\n\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Add, Modify, or Delete Listing<\/h2>\n\n\n\n<p>If you are a sitar tea\u00adcher, a tabla tea\u00adcher, or an in\u00adstructor in any form of Indian dance or music, you can <a href=\"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/add-name\/\">add your name to data\u00adbase<\/a>.&nbsp; You can make mod\u00adifica\u00adtions to existing listings by <a href=\"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/edit\/\">contacting the admin\u00adistrator<\/a>.<\/p>\n\n\n\n<p><strong>If you encounter a teacher who has died, is unreachable, or is no longer teaching, please <a href=\"mailto:david@chandrakantha.com\">contact the administrator<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teachers &amp; Performers of Indian Music &amp; Dance Name: Achyut Ram BhandariE-Mail: achyut.r.bhandari@gmail.comField: TablaLocation: Tribhuvan Univer\u00adsity, Fine Arts Campus, Bhotahity, Ktm, NepalTelephone: 009771-4491666 (home) or&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/chandrakantha.com\/learning-music-dance\/teachers-and-performers\/nepal\/\">Continue reading<span class=\"screen-reader-text\">Nepal<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":733,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/1299"}],"collection":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/comments?post=1299"}],"version-history":[{"count":8,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/1299\/revisions"}],"predecessor-version":[{"id":3557,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/1299\/revisions\/3557"}],"up":[{"embeddable":true,"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/pages\/733"}],"wp:attachment":[{"href":"https:\/\/chandrakantha.com\/wp-json\/wp\/v2\/media?parent=1299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}