A
Abburu, Sunitha & G. Suresh Babu
2013 “Indian Music Instruments Semantic Knowledge Representation” International Journal of Computer Applications (0975 –8887) Volume 71–No.15, May 2013
Abu l-Fazl Allami (a.k.a. Abū al-Faz̤l ibn Mubārak)
Circa 1590 Ain-i Akbari. Translated by H. Blockmann. Delh: 1989. Reprinted by New Taj Office.
Adesh, H.S.
1993 Sargam. Trinadad: Jeewan Jyoti Ptakashan.
1993 Shadaj. Trinadad: Jeewan Jyoti Prakashan.
Agarwala, K.V.
1975 Traditions and Trends in Indian Music. Meerut, India: Rastogi Publications.
Aggarwal, Vikas
undated – How to Play Tabla and Bongo- Congo With Pictures. New Delhi: Creative Publication.
Ahmad, Nazir
1954 “Lahjat-i Sikandar Shahi”, Islamic Culture, Vol 28.
Ahmad-ul-Umri
1926 The Lady of the Lotus: Rup Mati, Queen of Mandu. A Strange Tale of Faithfulness. Translated by L.M. Crump. London: Oxford University Press.
Ahobala
1956 Sangitapärijata, Hathras: Sangeet Karyalaya.
Apte, Vasudeo Govind
1987 The Concise Sanskrit English Dictionary. Delhi: Motilal Banarsidas.
Archer, William
1960 Indian Miniatures. Greenwich, CT: New York Graphic Society.
Arnold, Alison E.
1991 Hindi Filmi Git: On the History of Commercial Indian Popular Music. Ann Arbor: University Microfilms International. Ph.D. Dissertation.
B
Bagyalekshmy. S.
1991 Lakshanagrandhas in Music. Trivandrum: CBH Publications.
Bake, A.A.
1957 “The Music of India”, The New Oxford History of Music. London: Oxford University Press.
Balagopal, Tara
1982 Learn to Play on Veena. New Delhi: Pankaj Publications.
Bamzai, Vaveree
2007 – Bollywood Today. New Delhi: Lustre Press.
Bandoypadhyaya, Shripada
1958 The Music of India. Bombay: D.B. Taraporevala Sons & Co Pvt. Ltd.
Banerjee, Krishna Dhan
1899 Harmonium Shiksha. Calcutta.
Barz, R.K.
1977 An Introduction to Hindi and Urdu. Canberra, Australia: Australian National University Press.
Beck, Guy L.
1996 “When Gods Get the Blues: Expressions of Melancholy in Indian and American Traditions”, Yamauchi Lectures in Religion. New Orleans: Loyola University.
Bhagavandas “Mrdangacharya”
1959 Mrdang Tabla Prabhakar: Vol. I. Hathras: Sangeet Karyalaya.
1960 Mrdang Tabla Prabhakar: Vol. II. Hathras: Sangeet Karyalaya.
Bhagyalekshmy, S.
1991 Lakshanagrandhas in Music. Trivandrum: CBH Publications.
Bharatamuni
200 B.C. The Natya Shastra. (Translated by a Board of Scholars), Delhi: Sri Satguru Publications.
Bharati, Meera
undated- Swar Lipi Sangraha. New Delhi: Creative Publication.
Bhatkhande, Vishnu Narayan
1934 Srimal-laksyasangitam. Poona. (under pseudonym, Chatur Pandita Vishnu Sharma)
1934 A Short History of the Music of Upper India. Bombay, India: reprinted in 1974 by Indian Musicological Society, Baroda.
1980 Hindustani Sangeet Shastra. Vol. 2. Hathras: Sangeet Karyalaya.
1981 Hindustani Sangeet Shastra. Vol. 1. Hathras: Sangeet Karyalaya.
1985 Hindustani Sangeet – Paddhati (Vol 2): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1985Hindustani Sangeet – Paddhati (Vol 3): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1985 Hindustani Sangeet – Paddhati (Vol 4): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1987 Hindustani Sangeet – Paddhati (Vol 6): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1989 Music Systems of India: A Comparative Study of Some of the Leading Musical Systems of the 15th, 16th,17th, & 18th Centuries. Delhi: S. Lal & Co.
1993 Hindustani Sangeet – Paddhati (Vol 1 ): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
1995 Hindustani Sangeet – Paddhati (Vol 5): Kramik Pustak Malika. Hathras: Sangeet Karyalaya.
Bhat, R. B.
1991 “Acoustics of a cavity-backed membrane: The Indian musical drum”, The Journal of the Acoustical Society of America 90, pp1469-1474. Acoustical Society of America.
Bhatt, Vishwanbharanath
1962 Sitar Shiksha. Hathras: Sangeet Karyalaya.
1968 Sangeet-Archana. Teen Aalap. Hathras, India: Sangeet Karyalaya.
1991 Bal Sangeet Shiksha: Vol 3. Hathras, India: Sangeet Karyalaya
1992 Bal Sangeet Shiksha: Vol 2. Hathras, India: Sangeet Karyalaya.
1994 Kramik Tan-Alap, Vol 4. Hathras, India: Sangeet Karyalaya.
Bhattacharya, Dilip
1999 Musical Instruments of Tribal India. New Delhi: Manas Publications.
Bor, Joep
1986-87 The Voice of Sarangi; An IIlustrated History of Bowing in India. Bombay: National Centre for the Performing Arts.
1999 The Raga Guide. Netherlands: Rotterdam Conservatory of Music
Bose, Narendra Kumar
1960 Melodic Types of Hindustan. Bombay: Jaico Publishing.
Bose, Sunil
1990 Indian Classical Music.New Delhi:Vikas Publishing House.
Brown, Robert
1965 The Mrdanga: A Study of Drumming in South India: Vol I, Vol II. (Ph.D. dissertation, UCLA).
C
Carterette, Edward C, K.Vaughn, and N. Jairazbhoy
1989 “Perceptual, Acoustical, and Musical Aspects of the Tambura Drone”, Music Perception. Berkeley: University of California Press. Winter 1989, Vol. 7, No 2, 75–108.
Cassio, Francesca
2011 “The Music of the Sikh Gurus: Tradition in a Western Context: Cross-Cultural Pedagogy and Research”, Sikh Formations. Vol 7, No 3, December 2011 pp. 313-337.
Chakravarti, Indrani
1991 “Sarod- Its origin and Evolution”, Seminar on Sarod. Calcutta: Sangeet Resarch Academy.
Chakravarty, N.
1982 Vaisnava Sangitsastra. Translated by Gajanana R. Sastri and Madanalal Vyas. Varanasi: Shri Gokul Mudranalya.
Chaterjee, Nandalal.
1965 “Vazir Ali’s Plans against the Company’s Power”, Journal of Indian History, April, 1965, Vol. 43(1):285-299.
Chaturvedi, Balmukund
no date – How to Play Tabla. New Delhi: Diamond Pocket Books.
1989 Sur Sagar. Mathura: Shri Gopal Pustakalay.
Chinmaya Mission
1989 Slokathon. Houston: Chinmaya Mission (West).
Chopra, Sudarshan
1987 Tulsidas: Parichay Tatha Rachna. Delhi: Hind Pocket Books, Ltd.
1989 Mira: Parichay Tatha Rachnai. Delhi: Hind Pocket Books, Ltd.
Coomaraswamy, Ananda K.
1990 “The Parts of the Vina”, Studies in Indian Music and Allied Arts: Vol. 2. pp103-114. Delhi: Sandeep Prakashan.
Cooper, Grosvenor and Leonard B. Meyer
1960 The Phythmic Structure of Music. Chicago: University of Chicago Press.
Courtney, David R.
1977 “Harmonium: Controversial Instrument”, Pallavi. Hyderabad: India Vol. 1, No 3, April 20, 1977: pp. 13.
1980 Introduction to Tabla. Hyderabad, India: Anand Power Press.
1985 “Tabla Making in the Deccan”, Percussive Notes. Vol 23 No 2: pp 33-34. Urbana: Percussive Arts Society.
1987 “Tata and his Kamakshi Vina”, Experimental Musical Instruments. December: pp 5-9. Nicasia, CA :EMI
1988a “The Tabla Puddi”, Experimental Musical Instruments. Vol 4 No 4: pp 12-16. Nicasio: EMI.
1988b “Rag: Hindustani vs. Carnatic”, Svar Gnyan. Houston: Sur Sangeet Services. April 1988: pp. 3.
1988c “Time Theory of Ragas”, Svar Gnyan. Houston: Sur Sangeet Services. June 1988.
1988d “Rag Yaman”, Svar Gnyan. Houston: Sur Sangeet Services. August, 1988: pp. 3
1988e “That and Mela”, Svar Gnyan. Houston: Sur Sangeet Services. September, 1988: pp. 3–4
1988f “Kathak Maestro Pt. Anju Babu”, Indo–American News. Houston. Sat, Aug. 20 1988: pp. 13.
1988g “Alla Rakha”, Svar Gnyan. Houston: Sur Sangeet Services. October, 1988: pp. 2.
1989a “An Indian Music Specific Audio Driver”, Journal of the Acoustical Society of India. Vol 17 No. 3&4: 269 272. Calcutta: Acoustical Society of India.
1989b “Timbre: Psycho–Acoustic Considerations”. Svar Gnyan. Houston: Sur Sangeet Services. September 1989 p. 3.
1990a A Low Cost System for the Computerization of North Indian Classical Music. (Doctoral Dissertation) IIAS Greewich University: pp. 200: (available through – University Microfilms International, Ann Arbor: Order Number LD01730).
1990b “North Indian Ragas”, Experimental Musical Instruments. Nicasio, CA: EMI. Vol. 6, No 2, August 1990: pp. 15– 16.
1990c “The Value of Musical Training”, Informensa. Houston: Gulf Coast Mensa. Vol. 23, No 9, September 1990 pp. 35.
1991a “The Application of the C=64 to Indian Music: A Review”, Syntax . June/July: pp. 8-9: Houston.
1991b “Tuning the Tabla: A Psychoacoustic Perspective”, Percussive Notes. Vol 29 No 3: pp 59-61. Urbana: Percussive Arts Society.
1991c “Introduction to MIDI”, Syntax. Tomball: CHUG Inc., Tomball: Dec./Jan 1991: pp. 11–13.
1991d “MIDI Protocol”, Syntax. Tomball: CHUG Inc. Dec./Jan 1991: pp. 14–19.
1992a “New Approaches to Tabla Instruction”, Percussive Notes. Vol 30 No 4: pp 27-29. Lawton OK: Percussive Arts Society.
1992b “Introduction to Spectrum Analysis”, Experimental Musical Instruments. Vol 8, No 1: pp 18-22. Nicasio, CA.
1992c “Bridges: An Indian Perspective”, Experimental Musical Instruments. Nicasio, CA: EMI Vol. 7, No 5, April 1992: pp8–11.
1993a “Mrdangam et Tabla: un Contraste”, Percussions: Cahier Bimensiel d’études et d’Informations sur les Arts de la Percussion. Chailly-en-Biere, France: Vol 28, March/April 1993; pp 11-14.
1993b “An Introduction to Tabla”, Modern Drummer. Mt. Morris, IL: October 1993; Vol 17, #10: pp.38-84.
1993c “Repair and Maintenance of Tabla”, Percussive Notes. Lawton OK: October 1993; Vol.31, No 7: pp 29-36.
1994a “The Cadenza in North Indian Tabla”, Percussive Notes. Lawton OK: August 1994; Vol.32, No 4: pp 54-64.
1994b “Freemasonry in India”, The North Carolina Mason. Raleigh, NC: Grand Lodge of AF&AM of N. Carolina: Jan/Feb: 1994; Vol. CXIX No 1: pp. 6.
1994c “The Cadenza in North Indian Tabla”, Percussive Notes. Lawton, OK: Percussive Arts Society. August 1994; Vo132. No 4: pp. 54–64.
1995a “The Cyclic Form in North Indian Tabla”, Percussive Notes. Lawton OK: Percussive Arts Society. August 1994; Vol.33, No 6: pp 32-45.
1995b Fundamentals of Tabla. Houston TX: Sur Sangeet Services.
1999 “Psychoacoustics of the Musical Pitch of Tabla”, Journal of the Sangeet Research Academy. pp. 9-13, Vol. 13, No 1 October 1999. Calcutta, Sangeet Research Academy.
2000 Advanced Theory of Tabla. Houston TX: Sur Sangeet Services.
2001a Manufacture and Repair of Tabla. Houston TX: Sur Sangeet Services.
2001b Learning the Tabla. Pacific MO: Mel Bay Publications.
2003 Focus on the Kaidas of Tabla. Houston TX: Sur Sangeet Services.
2009 Learning the Tabla-2. Pacific MO: Mel Bay Publications.
2015 Music of South Asia. Houston TX: Sur Sangeet Services.
Courtney, David R. & Chandrakantha Courtney
1995 Elementary North Indian Vocal. Houston TX: Sur Sangeet Services.
2003 “Antiquity in Indian Music: Facts Factoids, and Fallacies”, Sruti Ranjani: Essays on Indian Classical Music and Dance. pp 156-171. Sruti: The India Music and Dance Society, USA.
2015 The Music of South Asia. Houston, TX: Sur Sangeet Services.
Courtney, David R. & Srinivas Koumounduri
2016 Learning the Sitar. Pacific MO: Mel Bay Publications.
Cousins, Margaret E.
1935 Music of the Orient and the Occident. Madras: B.C. Paul & Co.
Crill, Rosemary, John Guy, Veronica Murphy, Susan Stronge & Deborah Swallow
1999 Arts of India: 1550-1900. London: V&A Publications
D
Damodara
1962 Sangitadarpana. Hathras: Sangeet Karyalaya.
Danielou, Alain
1943 Introduction to the Study of Musical Scales. London: Indian Society.
1954 Northern Indian Music (Vol. 1-2). London: UNESCO.
1968 Ragas of North Indian Music. London: Berrie and Rockliff.
Das, G.N.
1992 Love Songs of Kabir. New Delhi: Abhinav Publicatiomns.
Davies, C. Collin
1949 An Historical Atlas of the Indian Peninsula. Second Edition. Delhi: Oxford University Press.
Day, C.R.
1990 The Music and Musical Instruments of Southern India and the Deccan. (first published in 1891). Delhi: Low Price Publications.
Dehlvi, Amar (compiler)
1983 Sahirki Shairi: Urdu – Hindi Men Ek Sath. New Delhi: Star Publications.
1984 Faiz Ki Shairi: Urdu – Hindi Men Ek Sath. New Delhi: Star Publications.
Deodhar, B.R.
1973 “Pandit Vishnu Digamber in his Younger Days”, Journal of the Indian Musicological Society. Baroda: Vol. 41, 21-56.
1986 Rag-Bodh (Vol 1). Bombay: Champa V. Devdhar.
1993 Rag-Bodh (Vol 6). Bombay: P. Shyam Gogte.
1993 Pillars of Hindustani Music. Translated by Ram Deshmukh. Bombay: Popular Prakashan Pvt. Ltd.
Desai, Chaitanya
1973 “Indian Music: Ancient, Medieval and Modern”, Journal of the Indian Musicological Society. July-Sept., 1973. Vol. 4(3) 31-40.
Deshpande, Vamanrao H.
1973 Indian Musical Traditions. Bombay: Popular Prakashan.
Dev, Raja Chatrapati Singh Ju
1964a “Dhrupad-Rag Yaman”, Sangeet (Dhrupad / Dhammar Ank). Hathras, India: Sangeet Karyalaya. Vol. 30.
1964b “Dhrupad-Rag Malkosh”, Sangeet (Dhrupad / Dhammar Ank). Hathras, India: Sangeet Karyalaya. Vol. 30.
Deva, Chaitanya
1989 Musical Instruments in Sculpture in Karnataka. Shimla: Indian Institute of Advanced Study.
Devangan, Tulsiram
1984 Thumri–Gayaki. Hathras: Sangeet Karyalaya.
Dhavan, Devakinandan
1970 “Pad”. Bhakti Sangeet Ank. (edited by Lakshminarayan Garg). Hathras, India: Sangeet Karyalaya.
Diagram Visual Information Ltd.
1976 Musical Instruments of the World. New York: Facts on File Publications.
Diamond Pocket Books
no date – Hit Filmi Qawwalian. New Delhi: Diamond Pocket Books.
Duncan, Stephen F.
1991 Christian Bhajans: A Study of the Uses of Indigenous Music in the Rites of the Catholic Church on the Subcontinent of India Since the Second Vatican Council with Particular Attention to the Bhajan and Kirtan. Doctoral Dissertation: Memphis State University. Memphis TN.
Dutta, Aloke
1984 Tabla, Lessons and Practice. Calcutta: Janabani Printers & Publishers.
E
Ellingson, Ter
1980 “Ancient Indian Drum Syllables and Bu Ston’s Sham Pa Ta Ritual”, Ethnomusicology. Vol. 24, No 3. pp 431 452.
Emam
-no date – Delhi Gharana of Tabla: A Compositional Documentation -no publishers info available.
F
Fallon, S.W.
1984 A New Hindustani–English Dictionary: With Illustrations from Hindustani Literature and Folklore. Allahabad: Bharti Bhandar.
Farmer, R. G.
1939 Studies in Oriental Musical Instruments. Glasgow:The Civic Library.
Feldman, Jeffrey M. & Alla Rakha
(no date) Learning Tabla with Alla Rakha. Los Angeles: Ravi Shankar Music Circle.
1995 The Tabla Legacy of Taranath Rao. Venice, California. Gigitala.
Fletcher, Harvey and Wilden A. Munson
1933 “Loudness, its Definition, Measurement and Calculation”, Journal of the Acoustic Society of America. 5, 82, Acoustic Society of America.
Fox Strangways, A.H.
1914 The Music of Hindostan. Oxford: Oxford University Press
Futehally, Shama
1994 In the Dark of the Heart: The Songs of Meera. San Francisco: Harper-Colllins.
G
Ganathe, N.S.R.
1981 Learn Urdu in 30 Days. Madras: Balaji Publications.
Gangoly, O.C.
1948 Ragas and Raginis. Bombay: Nalanda Publications.
Ganguly, S.
1981 Introduction to Tabla. Delhi, India: B. R. Printers.
Garg, Lakshminarayan (editor)
no date- Ravi Shankar Ke Ochestra. India: Sangeet Karyalaya.
no date- Gazal Ank. Hathras, India: Sangeet Karyalaya.
1940 Tal Ank. Hathras: Sangit Karyalaya. Ghosh, M. (translator).
1964 Dhrupad Dhammar Ank. Hathras, India: Sangeet Karyalaya.
1965 Mrdang Ank. January-February, 1965. Hathras:Sangeet Karyalaya.
1968 Tarana Ank. Hathras, India: Sangeet Karyalaya.
1970 Bhakti Sangeet Ank. Hathras, India: Sangeet Karyalaya.
1971 Lakshan Geet Ank. Hathras, India: Sangeet Karyalaya.
1973 Bal Sangeet Shiksha, Vol. 2. Hathras, India: Sangeet Karyalaya.
1976 Kheyal Ank. Hathras, India: Sangeet Karyalaya.
1977 Sangeet Nibandhwali. Hathras, India: Sangeet Karyalaya.
1977 Sitar Malika. Hathras, India: Sangeet Karyalaya.
1978 Meera Sangeet Ank. India: Sangeet Karyalaya.
1984 Hamare Sangeet-Ratna. Hathras, India: Sangeet Press.
1994 Kathak Nritya, A Complete Work on Kathak Dance. Hathras, India: Sangeet Karyalaya.
1994 Table Par Dilli Purab. Hathras, India: Sangeet Karyalaya.
1994 Sangeet-Kala ka Pratinidhi Masik. Hathras, India: Sangeet Karyalaya.
1998 Bhajan Sandhya. Hathras, India: Sangeet Karyalaya.
1999 Sangeet Visharad. Hathras: Sangeet Karyalaya.
2000 Meera Sangeet: Mira ke 78 Padon ka Swarankkan. Hathras: Sangeet Karyalaya.
Garg, Prabhulal (Editor)
1973 Filmi Shastriya Geet Ank. Hathras: Sangeet Karyalya.
1977 Sangeet Sagar. Hathras: Sangeet Karyalya.
1985 Vishwa Sangeet Ank. Hathras: Sangeet Karyalya.
1989 Bal Sangeet Ank. Hathras: Sangeet Karyalya.
George, Henry
1990 “The Origin of the Arabian Lute and Rebec”, Studies in Indian Music and Allied Arts: Vol. 1. pp167-182. Delhi: Sandeep Prakashan.
Ghosal, H.R.
1996 An Outline of the History of the Indian People. New Delhi: Publications Division, Ministry of Information and Broadcasting, Govt. of India.
Ghosh, Nikhil
1968 Fundamentals of Raga and Tala with a New System of Notation. Bombay.
Ghosh, Sharmistha Sen
1988 String Instruments of North India (Vol 1&2). Delhi: Eastern Book Linkers.
Godbole, Madhukar Ganesh
1967 Tal Dipika. Allahabad: Ashok Prakashan Mandir.
1969 Tabla Shastra. Hathras: Sangit Karyalaya.
Gottlieb, R. S.
1977a The Major Traditions of North Indian Tabla Drumming. Munchen, Germany: Musikverlag Emil Katzbichler.
1977b The Major Traditions of North Indian Tabla Drumming. Transcriptions . Munchen, Germany: Musikverlag Emil Katzbichler.
Govardhan, Shanti
1995 Sangeet Shastra Darpan (Vol 2). Allahabad: Pathak Publication.
Grant, Michael
1971 Atlas of Ancient History. America: Dorset Press.
Greaves, Edwin
1983 Hindi Grammar. New Delhi: Asian Educational Services.
Grierson, Sir Abraham
1903 Linguistic Survey of India. Office of the Superintendent of Govt. of India
Griffith, Ralph T.H.
1896The Hymns of the Rig Veda: Translated with a Popular Commentary. Benares: E.J. Lazarus & Co.
Gupta, R.K. Dutta
1994 Ragamala Painting. New Delhi: Rupa and Co.
H
Halim, Abdul
1962 Essays of History of Indo-Pak. Dacca: Asiatic Press.
Havel, E.B.
1905 Benares – The Sacred City. London: Blackie & Son, Ltd.
Helmholtz, H. von
1875 Sensations of Tone. Trans. A. J. Ellis, London.
Hindu Association of West Texas
1996 Bhajan Sangrah. Midland, TX: Hindu Association of West Texas.
Hindu Community Center of Knoxville Tennessee
1991 Bhajanamaalaa. Knoxville: Hindu Community Center of Knoxville Tennessee.
Hutton. J. H.
1963 Caste in India. Bombay: Oxford University Press.
I
Ibrahim, Adil Shah
1956 Kitab-i-Nauras. (ed by Nazir Ahmad). New Delhi: Bharatiya Kala Kendra.
India, Ministry of Information and Broadcasting
1958 India. Calcutta: Publications Division, Ministry of Information and Broadcasting, Govt. of India.
1969 Hamare Rashtrageet. Faridabad: Publications Division, Ministry of Information and Broadcasting, Govt. of India.
Iyer, A. S. Panchapakesa
1995 Ganamrutha Keerthanamalika. Madras: Ganamrutha Prachuram.
2012 Ganamrutha Bodhini. Chennai: Ganamrutha Prachuram.
Iyer, Trichy S. Raghava
1987 Basic Lessons on the Art of Mirudangam. Madras: Pon Olli Offset Press
J
Jain, Pankaj
1974 Lata Superhit Geet. Merat: Nutan Pocket Books.
1984 Swargiy Mukesh ke Super Hit Geet. Merat: Nutan Pocket Books.
Jain, R.K
1978 Mukesh ke Filmi Nagmen. Merat, Sangeet Pocket Books.
Jairazbhoy, N.A.
1958 “Bharata’s Concept of Sadharana”, Bulletin of the School of Oriental and African Studies. Vol. XXI part 1. pp. 54-60.
1961 “Swarprastara in North Indian Classical Music”, Bulletin of the School of Oriental and African Studies. Vol. XXIV part 2. pp. 307-325.
1971 The Rags of North Indian Music: Their Structure and Evolution. Middletown CT: Wesleyan University Press.
Jairazbhoy, N. A., & A. W. Stone
1963 “Intonation in Present-Day North Indian Classical Music”, Bulletin of the School of Oriental and African Studies. Vol. XXVI, Part 1, pp. 119-32.
Jeans, James
1937 Science and Music. Cambridge: Cambridge University Press.
Jha, Narayan
1983 “Tal Prabhand: Panch Talon Men Yaman-Kalyan”, Sangeet (Tal Ank). Hathras, India: Sangeet Karyalaya : Vol. 14: Edited by Prabhulal Garg.
Jingasu, Chiranjiv Lal
1964a “Dhrupad-Rag Hindol”, Sangeet (Dhrupad / Dhammar Ank). Hathras, India: Sangeet Karyalaya.Vol. 30.
1964b “Dhrupad-Rag Miyanmalhar”, Sangeet (Dhrupad / Dhammar Ank). Hathras, India: Sangeet Karyalaya. Vol. 30.
Joshi, Ramachandra Pandharinath
no date- Lalita Sahasranam Stotra aur Lalita Sahasranamawali. Sampada Prakashan
Junius, Manfred M.
2001 The Sitar: The Instrument and its Technique. Varanasi: Indica Books.
K
Kalyanpurkar, M.S.
1959 “Nritta” Marg. Bombay: Sept., 1959. Vol. 12(4):25-27.
Kantha
1963 Rasakaumudi. Baroda: Gaekwad’s Oriental Series.
Kapoor, R.K.
no date Kamal’s Advanced Illustrated Oxford Dictionary of Hindi- English. Delhi, India: Verma Book Depot.
Kashinath, Appatulsi
1978 Abhinau Tal-Manjari: Mul Evam Hindi-Anuvad. Translated into Hindi by Puru Dadich. Hathras: Sangeet Karyalaya.
Kaufmann, Walter.
1967 Musical notations of the Orient. Bloomington.
1968 Ragas of North India. Calcutta: Oxford IBH Publications.
Kaur, Ravneet
2011 Framing the Body and the Body of Frame: Item songs in popular Hindi cinema. N. Delhi: Vilnius University Press. oai:ojs.www4063.vu.lt:article/3929
Kaviraj, Visvanath
1958 Chandrakala Natika. Edited by S.N. Rajaguru and Sarbeswar Das, Bhubaneswar: B. V. Nath.
Kennedy, Michael
1994 The Oxford Dictionary of Music. New York: Oxford University Press.
Khan, Abdul Halim Jaffer
2000 Jafferkhani Baaj: Inovation in Sitar Music. Mumbai: Halim Jaffer Khan.
Khanqahi, Nishtar & Giriraj Sharan Agarwal
no date – Urdu ke Ustad Shairon ki Ghazalain. New Delhi: Diamond Pocket Books.
Khurana, Shanno
1969 “Form and Variation in Rajasthani Folk Songs,” Sangeet Natak. No. 11, Jan.-March, 1969. pp. 74-86.
Kippen, James
1988 The Tabla of Lucknow. Cambridge, GB: Cambridge University Press.
1989 “Changes in Social Status of Tabla Players”, Journal of the Indian Musicological Society. Baroda: A. R. Mehta.
Kishore, Vikrant, Amit Sarwal & Parichay Patra
2016 Bollywood and its Other(s): Towards New Configurations. London: Palgrave Macmillan, doi: 10.1057/9781137426505.
Kothari, K.S.
1968 Indian Folk Musical Instruments. New Delhi: Sangeet Natak Akademi.
Kripalvanand, Swami
1972 “Purush Rag, Stri Rag Aur Putra Rag”, Rag–Ragini Ank. Hathras:
Sangeet Karyalaya; pp. 7–51.
Krishnaswami, A
-undated- Melakarta and Janya Raga Chart. Madras: Sakthi Publication.
Krishnaswamy, S.
1965 Musical Instruments of India. Delhi: Publications Division, Govt. of India.
Kulkarni, R.P.
1994 The Theatre According to the Natyasastra of Bharata. Delhi: Kanishka Publishers, Distributors.
Kulkarni, V.B.
1994 Princely India and Lapse of British Paramountcy. Bombay: Jaico Publishing House.
Kulshreshtha, Jagdish Sahay
1978 Lok Geet Sangreh: Vol. 1. Solan, Himachal Pradesh: Bir Bothers.
1978 Dhrupad Sangeet – Vol 1. Solan, Himachal Pradesh: Bir Bothers.
1983 Sangeet Kishor. Hathras, India: Sangeet Karyalaya.
1983 Sangeet Sudha. New Delhi: Pitambar Book Depot.
L
Leake, Jerry
1993 Indian Influence (Tabla Perspective), Series A.I.M. Percussion Text (Second Edition). Boston: Rhombus Publishing.
Lele, V.
1983 Sathsangat. Puna, India: V. Joshi and Co.
Lewis, Ivor
1997 Sahibs, Nabobs, and Boxwallahs: A Dictionary of Words of Anglo-India. Delhi: Oxford University Press.
M
Machve, Prabhakar
1990 Lokpriya Sant-Bhakt-Kavi: Samarth Ramdas. Delhi: Hind Pocket Books Pvt. Ltd.
1991 Sant Namdev. Delhi: Hind Pocket Books Pvt. Ltd.
Majumdar, R.C.
1972 A Brief History of India. Calcutta: G. Bharadwaj & Co.
Maharaj, Kishan
1955 “Ram Sahai the Founder of the Benares Baj”, Aaj. Benares: Sept., 1955.
Mainkar, Sudhir
2008 Aesthetics of Tabla. Mumbai: Saraswati Publication.
Mallory, J. P.
1989 In Search of the Indo-Europeans; Language Archaeology and Myth. London: Thames and Hudson Ltd.
Mangahas, R.
1967 The Development of Ragalaksana. A thesis submitted to the University of London for the degree of Doctor of Philosophy (Music), June, 1967.
Mani, T.A.S.
no date Sogasuga Mridanga Taalamu. Bangalore: K.C.P. Publications.
Manrique, Fray Sebastien
1927 Travels of Fray Sebastien Manrique: Vol. II. Oxford: Hakluyt Society.
Manucci, Niccolao
1966 Storia do Mogor: Vol. III. Calcutta: Editions Indian.
Matanga
1928 Brihaddesi. Trivandrum. Edited by K. Sambashiva Shastri.
McGregor, R.S.
1993 The Oxford Hindi-English Dictionary. New Delhi: Oxford University Press.
McEvedy, Colin
1967 The Penguin Atlas of Ancient History. London: Penguin Books Ltd.
1992 The New Penguin Atlas of Medieval History. London: Penguin Books Ltd.
Mehta, R.C.
1970 “Music Education in the Colleges of India”, Sangeet Kala Vihar. April-June, 1970: Vol. 1(2):43-47.
Mehta, Vimla, M.C. Raj, & Ashvini Kumar Dube (compilers)
1992 Nijananda Sangeet. New Delhi: Golden Printers.
Meister, Michael and M. A. Dhaky
1991 Encyclopaedia of Indian Temple Architecture: North India, Period of Early Maturity c. A.D. 700-900. Delhi: Oxford University Press.
Menon, Raghav R.
1995 The Penguin Dictionary of Indian Classical Music. New Delhi, Penguin Books.
Mirza, M. W.
1935 Life and Works of Amir Khusraw. Calcutta: Baptist Mission Press.
Mishra, Balaram
1979 Konark. Bhubaneshwar: Bibarani Prakashani.
Mishra, Ram Shevak
1864 Tal Prakash and Tabla Vidyan. Benares.
Misra, Bhagirat
1984 Kabir Bani. Indore: Kamal Prakashan.
Misra, Susheela
1990 Some Immortals of Hindustani Music. New Delhi: Harman Publishing House.
1992 Some Dancers of India. New Delhi: Harman Publishing House.
Mistry, Aban
1984 Pakhawaj and Tabla: History, Schools, and Traditions. Mumbai: Swar Sadhana Samiti.
Mital, Prabhudayal
1960 Sangeet Samrat: Tansen: Jivani aur Rachanaen. Mathura, India: Sahitya Samsthan.
Mrdangacharya, B. D.
1976 Mrdang-Tabla -Prabhakar (vol. 1). Hathras, India: Sangeet Karyalaya.
Mrdangacharya, Bhagavan Das and Ram Shankar Das (Pagaldas)
1976 Mrdang-Tabla -Prabhakar (vol. 1). Hathras, India: Sangeet Karyalaya.
1977 Mrdang-Tabla -Prabhakar (vol. 2). Hathras, India: Sangeet Karyalaya.
Mukesh, Mahavir Prasad
1968 Mahila Sangeet Kunj. Allahabad: Pathak Publication.
Mukherji, D.P.
1975 Indian Music: An Introduction. Bombay: Kutab Publications.
Mukri, Naseem
1990 Junoon. Bombay: Intel Communications.
N
Nag, Monilal
1973 “Vishnupur-The Famous Gharana of Bengal”, Journal of the Indian Musicological Society. Baroda: Jan.-March, 1973. Vol. 4(1):46-47.
Narayan, Prakash
1965 Tabla Pravesika: (2 vol.). Ilahabad: Kala Prakasan.
Nath, Amar (editor/ compiler)
1981 Dewan-e-Ghalib. New Delhi: Star Publications.
Nathani, Sultan
1992 Urdu for Pleasure. Bombay: Emms Art Printers.
Neuman, Daniel M.
1974 The Cultural Structure and Social Organization of Musicians in India. Ph.D. dissertation, Univ. of Illinois.
1980 The Life of Music in North India. Detroit: Wayne State University Press.
Nevile, Pran
1996 Nautch Girls of India: Dancers, Singers, Playmates. New York, Paris, New Delhi: Ravi Kumar Publisher.
Neeraj, Gopal Das
1975 Neeraj Ke Lokpriya Geet. New Delhi: Punjabi Pustak Bandhar.
Nigam, Vikramaditya Singh
1970 Sangeet Kaumudi (Vol. 2). Lucknow:Indian Art Press.
O
Omchery, Leela and Deepti Omchery Bhalla (editors)
1990 Studies in Indian Music and Allied Arts (Vol 1-5). New Delhi: Sundeep Prakashan.
Oxford University Press
1986 The Oxford School Atlas. New Delhi: Oxford University Press.
P
Pade, J.S. (editor)
1959 Vinalaksana by Parmeshara and Vinaprapathaka: Works on Indian Music. Baroda: Oriental Institute.
Pandit, Prakash (editor)
1986 Urdu ke Lokpriya Shair Shakil Badayuni. Delhi: Hind Pocket Books Ltd.
Parikh, Arvind
1970 “The Sitar and Its Evolution”, Sangit Kala Vihar. Jan.-March, 1970, Vol. 1(1):21-26.
Pathak, Jagdish, Narayan
1994 Sangeet Shastrta Praveen. Allahabad:Pathak Publication.
Pathak, R.C.
1976 Bhargava’s Standard Illustrated Dictionary of the Hindi Language. Varanasi: Bhargava Bhushan Press.
Patnakar, G.S.
1999 Natyagitanche Notshan. Mumbai: Mauj Printing Bureau.
Patnakar, R. G.
1977 Tal Sopan (Vol. 2). Bulandshahar, India: Sangeet Kala Kendra.
1978 Tal Sopan (Vol. 1). Bulandshahar, India: Sangeet Kala Kendra.
Patvardhan, V. N.
1962 Räg Vijhan. Vols. I-VII, Poona.
Perera. E.S.
1994 The Origin and Development of Dhrupad and it Bearing on Instrumental Music. Calcutta: K. P. Bagchi and Company.
Platte, J.T.
1960 A Dictionary of Urdu, Classical Hindi and English. Oxford: Oxford University Press.
Popley, H.A.
1950 Music of India. Calcutta: Calcutta: YMCA Publishing House.
Powers, H. S.
1965 “Indian Music and the English language; A Review Essay”. Ethnomusicology. ix. January.
Prabhat Pocket Books
no date- Lata ke Dilkush Nagma. Merat, Prabhat Pocket Books.
Prajnananda, S.
1960 Historical Development of Indian Music. Calcutta: K.L. Mukhopadhya.
1963 History of Indian Music (Vol. 1). Calcutta: Ramakrishna Vedanta Matha.
1965 Historical Study of Indian Music. Calcutta: Anandadhara Prakashan.
Prasad, Ishwari
1952 History of Medieval India. Allahabad: The Indian Press Ltd.
Q
R
Rajiv, S.
1992 Nai Filmon Ke Geet. Merat: Nutan Pocket Books
Raghavan, V.
1961 “Later Sangita Literature”, Sangeet Natak Akademi Journal Bulletin. (18), April, 1961, pp. 1-18.
Rahaim, Matt
2011 “That Ban(e) of Indian Music: Hearing Politics in the Harmonium”, Journal of Asian Studies. Association for Asian Studies, Inc. doi:10.1017/S0021911811000854.
Ramakrishna, B.S. and M.M. Sondhi
1954 “Vibrations of Indian Musical Drums Regarded as Composit Membranes”, J. Acoust. Soc. Am. 26, pp 523-529.
Raman, C.V.
1934 “The Indian Musical Drums”, Proc. Indian Acad. of Science. 1A, pp179-188
Raman, C.V. & S. Kumar
1920 “Musical Drum with Harmonic Overtones”, Nature. 500, 104.
Ramamatya
1932 Svaramelakalanidhi. Edited by M.S. Ramaswami Aiyar. Annamalai; University of Madras.
Ramshankar “Pagaldas”
1964 Tabla Kaumudi: Vol. I. Gwalior: Ramchandra Sangit Pustak Bhandar.
1967 Tabla Kaumudi: Vol. II. Gwalior: Ramchandra Sangit Pustak Bhandar.
Ranade, G.H.
1939 Hindusthani Music. Poona: Aryabhushan Press.
1961 “Some Thoughts About the Lay Aspect of Modern Music”, Commemoration Volume in Honour of Dr. S. N. Ratanjankar. Bombay:K. G. Ginde, 1961, pp. 121-123.
Ranade, G.S.
1971 Hindustani Music and Outlines of its Physics and Aesthetics. Bombay: Popular Prakashan.
Randel, Don Michael
1978 Harvard Concise Dictionary of Music. Cambridge: Belknap Press (Harvard University Press).
Rangacharya, Adya
1966 Introduction to Bharata’s Natya-Sastra. Bombay, India: Popular Prakashan.
Rani, Varsha
1996 Banaras: The Eternal City. New Delhi: Prakash Books.
Ratanjankar, Shrikrishna Narayan
1992 Tansangraha (Vol. 2). Bombay: Acharya S. N. Ratanjankar Foundation.
Rao, B. Subba
1980 Raganidhi – A Comparative Study of Hindustani and Karnatak Ragas: Volume 1. Madras, India: The Music Academy.
1982 Raganidhi– A Comparative Study of Hindustani and Karnatak Ragas: Volume 2. Madras, India: The Music Academy.
1984 Raganidhi– A Comparative Study of Hindustani and Karnatak Ragas: Volume 3. Madras, India: The Music Academy.
1985 Raganidhi– A Comparative Study of Hindustani and Karnatak Ragas: Volume 4. Madras, India: The Music Academy.
Rao, T. K. Govinda
1981 Varanamanjari: Karnatak Music in Roman Script. Madras: Ganamandir Publications.
Roach, David
1972 “The Banares Baj: The Tabla Tradition of a North Indian City”, Asian Music: Journal of the Society for Asian Music. Indian Music Issue III(2).
Rao, S.S., Nawathe, S.P., Bhave, S.S., Atre, Prabha
1989 “A Study of Intonation in Hindustani Classical Music”, Journal of the Acoustical Society of India. Calcutta: Vol. 17, No 3&4, December, pp. 273-276.
Rosenthal, Ethel
1973 Story of Indian Music and its Instruments. New Delhi: Oriental Book.
Rossing, Thomas D.
1992 “Acoustics of Indian Drums”, Physics Today. American Institute of Physics. March 1992.
Rossing, Thomas.D. and W.A. Sykes
1982 “Acoustics of Indian Drums”, Percussionist, 19, pp 58-67.
Roy, Anjali Gera
2012 “Bollywood at large: Who is watching Bollywood films?”, Bollywood and Globalization. London: Routledge.
Roy, H. L.
1937 Problems of Hindustani Music. Calcutta.
Roychoudhury, M. L.
1957 “Music in Islam”, Journal of Asiatic Society, Letters. Vol. XXIII, No. 2, 1957.
Ruckert, George E.
2004 Music in North India: Experiencing Music, Expressing Culture (Global Music Series). Oxford University Press, USA.
S
Sachs, Curt
1940 The History of Musical Instruments. New York: W.W. Norton.
Sambamoorthy, P.
1959 South Indian Music. Madras: The Indian Music Publishing House. Books I-XII. Sangit Natak Akademi.
1960 History of Indian Music. Madras: Indian Music Publishing House.
1962 Catalogue of Musical Instruments Exhibited in the Govt. Museum. Madras: Govt. of Madras.
1966 The Teaching of Music. Madras: Indian Music Publishing House.
Sangeet Natak Akademi
1959 Sangeet Natak Akademi Bulletin. (11-12), April, 1959.
1968 Who’s Who of Indian Musicians. New Delhi: Sangeet Natak Akademi.
Sangeet Research Academy
1990 Seminar on Sitar. Bombay: ITC-SRA (Western Region).
1991 Seminar on Sarod. Bombay: ITC-SRA (Western Region).
“Sanheetika”
1971 Sitar Visheshak. Allahabad: Sangeet Sadan Prakashan.
Sankaran, Trichy
1994 The Rhythmic Principles & Practice of South Indian Drumming. Toronto: Lalith Publishers.
Sanyal, A. N.
1959 Ragas and Raginis. Calcutta: Orient Longmans.
Sarkar, Jadunath
1991 Fall Of The Mughal Empire-Vol. I (4Th Edn.).Hyderabad:Orient Blackswan.
Sarrazin, Natalie
2009 Indian Music for the Classroom. Lanham, Md.: Rowman & Littlefield Education : Published in partnership with MENC, c2009.
Sastri, K. Vasudeva (editor)
1963 Gita Govinda with Abhinaya. Thanjavur: O. A. Narayanaswami.
Satyanarayana, Nookala Chinna
1999 Sangeeta Suddha: Carnaatak Music Text & Reference Book. Secunderabad: Dr. Nookala Chinna Satyanarayana.
Saxena, S.K.
1959 “The Role of Rhythm in Kathak”, Marg. Bombay: Sept. 1959, Vol. 12(4):48-53.
Settar, S.
1991 The Hoysala Temples: Vol II: Illustrations. Bangalore: Kala Yatra Publications.
Shah, Ibrahim ‘Adil
1956 Kitab-i-Nauras. Nww Delhi: Bharatiya Kala Kendra.
Shankar, Ravi
1968 Ravi Shankar: My Music, My Life. New Delhi, India: Vikas Publishing House Pvt. Ltd.
Shankar, Vidya
1970 Shyama Sastry. New Delhi: National Book Trust.
Sharangdev
1978 Sangeet Ratnakar. Translated by R.K Shringy and Prem Lata Sharma. Varanasi: Motilal Banarasidas.
Sharma, Bhagavat Sharan
1973 Tal Prakash. Hathras, India: Sangeet Karyalaya.
1977 Tal Shastra. Alighar, India: B. A. Electric Press.
Sharma, Nandalal
1977 Music Master. Hathras, India: Sangeet Karyalaya.
Sharma, Rakesh
undated – Sat Din ka Tabla Va Kongo Bongo Vadan Kors. New Delhi: Creative Publication.
Sharma, Ravi
1999 Sitar as I Know. Delhi:Tauryatrikam Publication.
Sharma, Shrikrishna (Indra)
-no date Sat Din ka Harmoniyam Kors. Delhi: Creative Publishing (Regd.).
Sharma, Vijay Kumar
no date – Lata Mangeshkar ke Madhur Geet. Madhur Prakashan: Delhi.
Shastri, Yajneshwar Sadashiv
1994 Prayers. Ahmedabad: Yogeshwar Prakashan.
Shepherd, Francis Ann
1976 Tabla and the Benares Gharana. Ann Arbor: University Microfilms International. Ph.D. Dissertation, Wesleyan University, Middletown, CT.
Shrivastava, Girish Chandra
1978 Tal Parichay (vol. 2). Alahabad, India: Sangeet Press.
1979 Tal Parichay (vol. 1). Alahabad, India: Sangeet Press.
Shrivastava, Harishchandra
1973 Kathak Nrtya Parichay. Alahabad, India: Sangeet Press.
1973 Rag Parichay (vol 2). Allahabad: Sangeet Sadan Prakashan.
2001 Rag Parichay (vol 4). Allahabad: Sangeet Sadan Prakashan.
Shrivastava, Hira Lal
1970 “Choubees Swar-Rachnaen” Sangeet: Bhakti Sangeet Ank. Hathras, India: Sangeet Karyalaya.
Siddharth (editor)
no date – Kishor ke Yugal Geet. Merat: Nutan Pocket Books.
no date – Kishor ke Hit Geet. Merat: Nutan Pocket Books.
1992 Lata ke Yugal Geet. Merat: Nutan Pocket Books.
1992 Lata ke Yadgar Nagma. Merat: Nutan Pocket Books.
Singh, Anandram “Tomar”
1978 “Tabla ke Kuchh Aprachalit Bol”, Tal Ank. Hathras, India: Sangeet Karyalaya.
Singh, Dayanita
1987 Zakir Hussain: A Photo Essay by Dayanita Singh. New Delhi: Himalayan Books.
Singh, Harbhajan
1990 Bulleshah. Delhi: Hind Pocket Books, Pvt. Ltd.
Singh, Lal Bahadur
1977 “Rag Yaman, Tintal”, Sangeet Sagar. Hathras, India: Sangeet Karyalaya.
Singh, Shanta Serbjeet
2000 Indian Dance: The Ultimate Metaphor. New Delhi: Bookwise (India) Pvt. Ltd.
Sivan, Maha-Vaidya-Natha
1937 Mela-raga-malika. Madras: Adyar Library and Research Centre.
Slawek, Stephen
1987 Sitar Technique in Nibaddh Forms. Delhi: Motilal Banarsidass Publishers.
Smith, V.
1958 Oxford History of India. Oxford: Oxford University press.
Solis, Theodore
1970 The Sarod: Its Gat-Tora Tradition, with Examples by Amir Khan and Three of His Students. M.A. thesis in Music, University of Hawaii, December.
Solvyns, F. Baltazard
1808 Les Hindous: Vol. II. Paris: Chez l’auteur et Chez H. Nicolle.
Sprenger, A. (translator)
1841 El Mas’udi’s Historical Encyclopaedia, ‘Meadows of Gold and Mines of Gems’. London. Printed for the Oriental Translation Fund of Great Britain and Ireland.
Sri Satguru Publications
1986 Encyclopaedia of Indian Music with Special Reference to the Ragas. Delhi: Sri Satguru Publications
Srinivasachary, K.
1983 Learn Sanskrit in 30 Days. Madras: Balaji Publications.
Srivastava, Girish Chandra
1962 Tabla Vadan. Allahabad: Jai Bharat Press.
1978 Tal Parichay (Vol. 2). Allahabad: Jai Bharat Press.
Srinivasan, R.
1979 “Computer Approach to the Anaylysis of Musical Scales, Shrutis and Murcchanas”, Mathematical and Computer Anaylsis of Raga Structure, Srutis and Murcchanas, Proceedings of the Seminar on Musicology. Feb 26-28. University of Madras:123-141.
Stewart, Rebecca Marie.
1974 The Tabla in Perspective. Ann Arbor: University Microfilms International. (Ph.D. Dissertation UCLA).
Strangways, A. H. Fox
1965 Music of Hindostan. Oxford: Clarendon Press.
Subbarao, I.V.
1962 Studies in Indian Music. Bombay: Asia Publishing House.
S.Y.D.A. Foundation
1975 The Necter of Chanting: Sacred Texts and Mantras Sung in the Ashrams of Swami Muktananda. Oakland, CA: SYDA Foundation.
T
Tagore, Rabindranath
1961 Ravindranth Thakur ke Sau Geeton ka Swarlipi. New Delhi: Sangeet Natak Akademi.
Tagore, S. M.
1896 Universal History of Music. Calcutta. (no publisher info. available)
1965 Hindoo Music. Varanasi: Chowkhamba Sanskrit Series.
Thaker, Laxmi Prasad B.
1995 Sangeet Saurabh. Naperville, IL: Laxmi Prasad Thaker.
Trautmann, Thomas R.
1997 Aryans and British India. New Delhi: Vistaar.
Tyomkin, Edward & Margarita Voryobyova-Desyatovska
1994 The Hindu Pantheon: An Introduction Illustrated with 19th Century Indian Miniatures from the St. Petersburg Collection. Reading, UK: Garnet Publishing House Ltd.
U
V
Van Olphen, H.H.
1992 Hindi Pravesikaa – Beginner’s Hindi: Writing and Conversation. Austin: University of Texas.
Vasant
1962 Rag Kosh. Hathras, India: Sangeet Karyalaya.
1966 “Kafi That ke Ragon ka Vivaran”, Sangeet: Kafi That Ank. Hathras: Sangeet Karyalaya.pp. 50-70.
1967 “Khammaj That ke Rag”, Sangeet: Khammaj That Ank. Hathras, India: Sangeet Karyalya.
Vashisth, Satya Narayan
1969 Table par Dilli aur Purab. Hathras, India: Sangeet Karyalaya.
1977 Tal Martand. Hathras, India: Sangeet Karyalaya.
1981 Kaida aur Peshkar. Hathras, India: Sangeet Karyalaya.
1982 Aprachalit Kaiyade aur gaten. Hathras, India: Sangeet Karyalaya.
Vatsyayan, Kapila
1956 “Kathak,” The Journal of the Music Academy. Madras, Vol. XXVII, 1956. pp. 74-88.
Veer, Ram Avatar
undated- Guru Nanak Sangeet Bhajanamrit. Dehli: Hind Pustak Bhandar.
undated- Jaltarang Gaid. Dehli: Hind Pustak Bhandar.
undated- Shastriya Kant Sangeet. Dehli: Hind Pustak Bhandar.
undated- Theory of Indian Music. New Delhi: Pankaj Publications.
undated – Meerabai Bhajan Sangeetamrit. Dehli: Hind Pustak Bhandar.
undated – Musical Instruments of India: History and Development. New Delhi: Pankaj Publications.
1978 History of Indian Music: Notation System. New Delhi: Pankaj Publications.
1978 Learn to Play on Flute. New Delhi: Pankaj Publications.
1978 Learn to Play on Harmonium. New Delhi: Pankaj Publications.
1979 15-Din Men Sitar Sikhiye. Delhi: Pustak Mahal.
1987 History of Indian Music and Musicians. New Delhi: Pankaj Publications.
1998 Learn to Play on Tabla II. New Delhi: Pankaj Publications.
Vidyarthi, G. (translator)
1959 “Melody Through the Centuries”, (A chapter from Ma’danul Moosigin by H. M. Imam – Lucknow:1856) Sangeet Natak Akademi Bulletin (11-12), April, 1959, pp. 13-26 and 33.
Vijayakar, Rajiv
2013 “The Role of a Song in a Hindi Film”, The South Asianist Journal. Edinburgh: Centre for South Asian Studies, University of Edinburgh. oai:ojs.pkp.sfu.ca:article/167
Vinjamuri, Varaha Narasimhacharya
1986 Tal Lakshanam. Kakinada, India: Padmini Printers.
Vitthala, Pupdarika
(no date) Ragamanjari. Bombay.
Vyas, Ramkrishna
1977 Rag Pravin. Allahabad, India: Sanjiv Art Press.
W
Wade, Bonny
1971 The Khyal, a Study in Hindustani Classical Vocal Music: Vol I.
Vol II. Ph.D. dissertation, UCLA.
Wheeler, Michael C.
2012 A Practical Method for Taus, Dilruba, and Esraj. Wheeler Studios.
Willard, Captain N.A.
1934 A Treaties on Music of Hindoostan. Calcutta: Baptist Mission Press.
X
Y
Yadav, Bulaki Lal
1994 Tabla Prakash: Vol 1. Allahabad: Sangeet Sadan Prakashan.
1999 Tabla Prakash: Vol 2. Allahabad: Sangeet Sadan Prakashan.
1999 Tabla Prakash: Vol 3. Allahabad: Sangeet Sadan Prakashan.
Z
Zuckerkandl, V.
1956 Sound and Symbol, Music in the External World. London: Routledge and Kegan Paul.