OVERVIEW OF INDIAN FOLK MUSIC

by David Courtney working tools

Indian Folk Musician

India has a very rich trad­ition of folk music.  The ext­reme cul­tural diversity creates endless varieties of folk styles.  Each region has its own par­ti­cu­lar style.

There is a tendency to lump folk music along with tribal music.  There is ac­tually a difference.  Where folk music is a mere rustic ref­lec­tion of the larger In­dian so­ciety, tribal music often re­pre­sents cul­tures that are very dif­fer­ent.  Some of these tribal cul­tures are throwbacks to cul­tural con­di­tions as they were thousands of years ago.

Tribal and folk music is not taught in the same way that In­dian classical music is taught.  There is no formal period of apprenticeship where the student is able to devote their en­tire life to learning the music,  the eco­nomics of rural life does not permit this sort of thing.  The mus­ical prac­ti­tion­ers must still attend to their normal duties of hunting, agriculture or what­ever their chosen profession is.

Music in the villages is learned al­most by osmosis.  From childhood the music is heard and imbibed along with ones mother's milk.  There are nu­mer­ous pub­lic ac­tivi­ties that allow the villagers to practice and hone their skills.  These are the normal func­tions which synchronise village life with the universe.

The music is an indispensable compo­nent of func­tions such as weddings, engagements, and births.  There is a plethora of songs for such occasions.  There are also many songs associated with planting and harvesting.  In these ac­tivi­ties the villagers routinely sing of their hopes, fears and as­pira­tions.

Folk music is also used for edu­cational pur­poses.  For insta­nce sex edu­cation has trad­itionally been taught in Andhra Pradesh by song.  There is a func­tion when a girl has her first menses.  In this func­tion the elderly wo­men in the com­mu­nity gather at the house (men are defin­itely ex­cluded), the girl is given her first woni and langa (half sari which is worn by unmarried girls), rich food and other gifts.  During this func­tion the wo­men sing songs that are ext­remely bawdy.  To an outsider this would seem uncharacteristic of ob­viously respectable com­mu­nity mem­bers.  How­ever the func­tion of such songs is to provide the girl's first instructions on her em­erg­ing womanhood and what her future marital duties will be.

Musical in­stru­ments are often dif­fer­ent from those found in classical music.  Although in­stru­ments like the tabla may some­times be found it is more likely that cruder drums such as daf, dholak, or nal will be used.  The sitar and sarod which are so com­mon in the classical genre are absent in the folk music.  One often finds in­stru­ments such as the ektar, dotar, saringda, rabab, and santur.  Quite often they will not even be called these names, but may be named ac­cor­ding to their lo­cal dialect.  There are also in­stru­ments which are used only in par­ti­cu­lar folk styles in par­ti­cu­lar regions.  These in­stru­ments are innumerable.

The in­stru­ments that folk music­ians use are gen­erally not as refined as the classical music­ians use.  The in­stru­ments of classical music are crafted by artisans whose only job is the fabrication of musical in­stru­ments.  In contrast the folk in­stru­ments are com­monly crafted by the music­ians them­sel­ves.

It is very com­mon to find folk in­stru­ments that have been fabricated of com­monly available materials.  Skin, peritoneum, bamboo, coconut shells, and pots are but a few com­monly available materials used to make mus­ical in­stru­ments

 


 

Folk Musical Instruments

 

 

Selected Video

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 1998 - 2021 David and Chandrakantha Courtney

For comments, cor­rections, and sug­gestions, kindly contact David Courtney at [email protected]