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Chapter 28: Eight and Sixteen Matra Cycles
Here are some of the rare talas
which are found in eight or sixteen matra talas. These talas fall in the
category of catastra talas.
ADI TALA
AND TRITALA
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dhā |
ki |
ṭa |
tā |
ki |
ṭa |
dhā |
ti |
ṭa |
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5 |
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ka |
ti |
ṭa |
tā |
ti |
ra |
ki |
ṭa |
ga |
di |
ga |
na |
Figure 28.1
Adi tala is a tala consisting of eight beats. Its structure is fairly
simple. In Carnatic music, there is an adi talam; adi
tala and adi talam are vastly different. This tala
also shares the exact theka as tritala,
with sixteen matras (divided 4+4+4+4). It is all
based on layakari.
VISVA
VANDITA TALA
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dhā |
ki |
ṭa |
tā |
ki |
ṭa |
dhā |
ti |
ṭa |
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5 |
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ka |
ti |
ṭa |
tā |
ti |
ra |
ki |
ṭa |
ga |
di |
ga |
na |
Figure 28.2
This is another common tala
derived from the pakhawaj. Its form is very similar
to the Prabhupada tala.
DHUMALI
TALA
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1 |
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dhin |
dhin |
dhā |
tin |
tā |
ka |
dhin |
dha |
ge |
trkṭa |
Figure 28.3
This is an eight matra
cycle used rarely on tabla and mostly on pakhawaj. Some musicians will view this as a prakar of kaherva tala. Many contemporary artists will view this as an
independent tala.
UPDATED: June 20, 2009