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Lesson 20: Example 7
We
haven’t used Mukhra 3 yet. Let’s make use of this in
a bhajan setting.
Play kaherva
tala prakar 4 for two
cycles, with the second cycle containing Mukhra 3 A,
two cycles of bhajani tala,
followed by tod 2 to END drumming.
This
is a lot to do, but let’s break this down.
We
need kaherva prakar 4
(recall from Lesson 9 B).
X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhā |
ti |
ra |
ki |
ti |
tā |
ti |
ra |
ghi |
dhin |
Mukhra
3 A from Lesson 18:
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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ti |
ti |
tā |
ke |
ti |
ra |
ki |
ti |
tā |
ke |
ti |
ra |
ki |
ti |
Bhajani
tala from Lesson 11:
X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhin |
tā |
dhin |
dhin |
tā |
ti |
tā |
ti |
ti |
tā |
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And tod 2 to end drumming.
1 |
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2 |
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3 |
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4 |
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5 |
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6 |
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7 |
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8 |
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(1) |
(2) |
(3) |
(4) |
(5) |
(6) |
(7) |
(8) |
(9) |
(10) |
(11) |
(12) |
(13) |
(14) |
(15) |
(16) |
dhin |
tā |
gha |
dhin |
tā |
gha |
dhin |
tā |
gha |
Remember
that the parenthesis acts as a guide to how time each bol
properly.
Let’s
apply everything:
X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhā |
ti |
ra |
ki |
ti |
tā |
ti |
ra |
ghi |
dhin |
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X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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ti |
ti |
tā |
ke |
ti |
ra |
ki |
ti |
tā |
ke |
ti |
ra |
ki |
ti |
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X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhin |
tā |
dhin |
dhin |
tā |
ti |
tā |
ti |
ti |
tā |
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X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhin |
tā |
dhin |
dhin |
tā |
ti |
tā |
ti |
ti |
tā |
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X |
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0 |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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dhin |
tā |
gha |
dhin |
tā |
gha |
dhin |
tā |
gha |
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X |
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1 |
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dhin |
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✇ AUDIO CLIP
20 – 7: EXAMPLE 7
ß |
BACK TO LESSON 2 0 |
à |
TO EXAMPLE 6 |
|
TO EXAMPLE 8 |
UPDATED: July 5, 2011