David Cope: Books, Articles and CDs

Books in Print


Chapters in Books

  • 1992. "A Computer Model of Music Composition." In Machine Models of Music, Stephan Schwanauer and David Levitt, eds. Cambridge, Mass.: MIT Press.

  • 1992. "On the Algorithmic Representation of Musical Style." In Musical Intelligence, M. Balaban, K. Ebcioglu, and O. Laske, eds. Menlo Park, Calif.: AAAI Press.

  • 1998. "Signatures and Earmarks: Computer Recognition of Patterns in Music.." In Melodic Similarity, Concepts, Procedures, and Applications. Walter B. Hewlett and Eleanor Selfridge-Field (eds.). Cambridge, MA: MIT Press.



Articles

  • 1987. "Experiments in Music Intelligence." In Proceedings of the International Computer Music Conference, San Francisco: Computer Music Association.

  • 1987. "An Expert System for Computer-Assisted Music Composition." Computer Music Journal 11,4 (Winter): 30-46.

  • 1988. "Music and LISP." AI Expert 3,3 (March): 26-34.

  • 1988. "Music: The Universal Language." In Proceedings of the First Workshop on Artificial Intelligence and Music. Minneapolis/St. Paul, MN: AAAI: 87-98.

  • 1989. "Experiments in Musical Intelligence (EMI): Non-Linear Linguistic-based Composition." Interface Vol. 18: 117-139.

  • 1990. "Pattern Matching as an Engine for the Computer Simulation of Musical Style." In Proceedings of the 1990 International Computer Music Conference. San Francisco: Computer Music Association.

  • 1991. "Recombinant Music." COMPUTER. (July).

  • 1991. "Computer Simulations of Musical Style." Computers in Music Research, The Queens University of Belfast, 7-10 (April): 15-17.

  • 1992. "Computer Modeling of Musical Intelligence in Experiments in Musical Intelligence." Computer Music Journal 16,2 (Summer): 69-83.

  • 1993. "Virtual Music." Electronic Musician, 9:5 (May): 80-85.

  • 1996. "Mimesis du style et de la structure musicale." Symposium on Composition, Modelisation et Ordinateur. IRCAM, Paris: 21-3.

  • 1997. "Composer's Underscoring Environment." In Proceedings of the International Computer Music Conference. San Francisco: Computer Music Association.

  • 1997. "The Composer's Underscoring Environment: CUE." Computer Music Journal 21/3 (Fall).

  • 1999. "One Approach to Musical Intelligence." Intelligent Systems. Los Alamitos, CA: IEEE Computer Society (14/3, May/June).

  • 2000. "Facing the Music: Perspectives on Machine Composed Music." Leonardo Music Journal 9: 79-87.

  • 2002. "Computer Analysis and Composition Using Atonal Voice-Leading Techniques." Perspectives of New Music 40/1 (Winter): 121-146.

  • 2003. "Computer Analysis of Musical Allusions." Computer Music Journal 27/1: 11-28.



Recordings